Showing posts with label research for writers. Show all posts
Showing posts with label research for writers. Show all posts

Friday, 27 October 2023

In Search of Ghosts by Claire Fayers

With Halloween almost upon us, it seems a good time to talk about ghosts.

As a ghost hunter, I'm a complete unbeliever, and a novice. I tend towards comedy rather than scares and I've only written one book that may qualify for Halloween (Mirror Magic which its spooky mist and skeletons). Yet, somehow I find myself researching for a book on Welsh giants, goblins and ghosts.

I must admit, the research has been fun. I spent a memorable evening with the Llangynidr Network Group, learning about the Llangynidr ghost, which was seen by the Reverend Elwyn Thomas on his way to his lodgings after a long day of preaching.

Almost level with my own face I saw that of an old man, over every feature of which the putty coloured skin was drawn tightly, except the forehead which was lined with deep wrinkles. The lips were extremely thin and appeared bloodless. The toothless mouth stood half open. The cheeks were hollow and sunken like those of a corpse, and the eyes, which seemed far back in the middle of the head, were unnaturally luminous and piercing. The terrible object was wrapped in two bands of old yellow calico, one of which was drawn under the chin and over the cheeks and tied at the top of his head. The other was drawn around the top of the wrinkled forehead and fastened at the back of the head. So deep and indelible impression it made on my mind that, were I an artist, I could paint that face today, and reproduce the original (excepting, perhaps, the luminous eyes) as accurately as if it were photographed.

The ghost pursued the reverend all the way to the crossroads into the village, where it stopped and then retreated over the wall of the churchyard. It has never been seen again but people will still enthusiastically retell the story.

The canal path to Llangynidr - no ghosts here
  
My second research trip was to a ghost tour at Cardiff Castle. Most of the stories had no basis in history when I checked them later, and many of them couldn’t be verified at all. (‘Last week, a tour group saw that rocking chair move.’) But the whole evening was a fantastic exercise in building atmosphere. We were told to turn our torches on then off again so our eyes never adjusted to the dark. We crowded into a room and the guide began his stories, flashing his torch around the rom to create shadows as he spoke.

At the end of the evening, one woman thought she saw something and jumped, which caused another woman to give a bloodcurdling scream, which made everyone jump and caused another lady to burst into tears. We looked for the ghost but it had fled, if it had ever been there. But I’m sure the incident will have made a great story for the next tour group. As we were leaving, the first lady was saying she must have seen something because she wouldn’t have jumped for no reason. It’s interesting how quick we can be to convince ourselves of these things.

Cardiff Castle - ghosts? Probably not

 Which brings me to my final trip, to Llancaiach Fawr manor. It’s well known for being haunted, but I was there to look at the witch marks – burn marks that people used to make around the house to ward off evil.

 

Witch marks

It was fascinating, and very creepy. It was also January and the house was freezing. We stood shivering, looking at the mumified items that had been found buried inside the walls, and then we climbed the steps to the attic bedroom where there were hundreds of witch marks around the door, on every rafter. Each one would have taken hours to create. This was the steward’s bedroom. I imagined him lying in bed, cold, and so terrified of evil spirits that he spent every spare moment burning protective marks around his bed.

If I had to pick one of these three places to be haunted, I'd go with Llancaich Fawr. It has the atmosphere, the long history of superstition and it was used as a courtroom for some witch trials. But no, I still don’t believe in ghosts. I do however believe in the power of the human brain to conjure up terrifying images and stories. Happy Halloween!


Mummified shoes found inside wall at Llancaiach Fawr


Claire Fayers 

Thursday, 5 December 2019

Learning from the other arts - Alex English

I'm a sucker for writing books and like many other ABBA bloggers (Rowena springs to mind!) I have shelves full of guides. Recently, I've tried looking further afield to other art forms to see what I can learn and whether I can apply it to writing. Here's what I've found:

Photo by Jake Hills on Unsplash

Screenwriting

There are multitudes of screenwriting books that many novelists use already. Screenwriters are by necessity very strong on structure due to the huge budgets and fixed time-constraints of the screen. In this sense, a screenplay is very similar to a picture book. You can't overrun an episode of EastEnders by ten minutes any more than you can stretch out a picture book story to 17 spreads.

Key takeaways: read about screenwriting if you want to get your head around plot and structure

Recommended reads: Story by Robert McKee, Into the Woods by John Yorke, Save the Cat by Blake Snyder (just to get you started, there are many, many more).

Photo by Nick Karvounis on Unsplash

Songwriting

I somehow stumbled upon reading Pat Pattison's songwriting tips, and I've found them very helpful for writing rhyming picture books. While poetry books often focus on blank verse, songwriting looks more closely at rhyme and rhythm, which is just what's needed for a picture book. I've never really learned how to write in rhyme, and most picture book writing guides don't cover it thoroughly.

Key takeaways: Chapter 4 has a guide to building a 'worksheet' – in brief a sort of brainstorm-on-paper of ideas and rhymes associated with the themes of the song you are writing. I tend to write my story in prose before turning it into rhyme, and now I'm going to try including a rhyme worksheet as a middle step in my process.


Recommended reads: Writing Better Lyrics by Pat Pattison

Photo by Doug Maloney on Unsplash
Cartooning
I recently took a cartooning course with Neil Kerber, which has been great fun to practise with the kids. Drawing was supposed to be a hobby, but it's actually proved incredibly handy to be able to sketch characters and props for my work in progress. It also saves hours searching around Pinterest for that elusive image in my head.

Key takeaways: Keep it loose. Draw and see what comes out. It doesn't have to be perfect. Have fun!


Recommended reads: Comics: Easy as ABC! by Ivan Brunetti

Photo by Ahmad Odeh on Unsplash

Dance

I know nothing about dance, but I recently read The Creative Habit by Twyla Tharp, an acclaimed choreographer. She talks about her creative process, how she researches a dance piece (fascinating!) and how she actively develops her career. She talks about the importance of teaching/mentoring others to solidify your own knowledge. What would you teach yourself six months ago?

Key takeaways: There's a lot in this book, but I love the way Tharp uses a big box to gather her project material. I've started keeping a dedicated notebook for each project (previously I had a trillion notebooks with notes from different things scattered throughout), but a file box might work even better to collate random scraps of information and objects related to a book.

Recommended reads: The Creative Habit by Twyla Tharp   

Photo by Mika Korhonen on Unsplash

Fashion design

On a whim, I borrowed a book about fashion design research and found it a surprisingly enlightening read. Nobody really tells you how to get ideas for a novel, but fashion designers at college have to document a proper research process and show how their ideas came about.

Key takeaways: "Fashion doesn't come from fashion" (i.e. don't take your inspiration from the catwalk). Books don't (just) come from books either. It's easy to feel you have to keep completely up-to-date with reading every new book release, but as long as you have a feel for what a current book is, it can be more useful to look more widely and take creative inspiration from elsewhere, art galleries, museums and maybe even real life!

Recommended reads: Fashion Design Research by Ezinma Mbonu


How about you? Have you ever taken inspiration for your creative process from another art form?


Alex English is a graduate of Bath Spa University's MA Writing for Young People. Her new middle-grade series SKY PIRATES launches in July 2020 with Simon & Schuster. 

Her picture books Yuck said the Yak, Pirates Don't Drive Diggers and Mine Mine Mine said the Porcupine are published by Maverick Arts Publishing. More of her picture books are forthcoming in 2021/2022.
 

www.alexenglish.co.uk