Thursday, 19 March 2026

Forget the news and think about sheds - by Lu Hersey

  Last night I dreamt an old journalist friend called me: Lu, did you know you're in the Epstein files?

No way!

Yes! Five times!

Don't be stupid.

Seriously, it's OK. If you're not in there, you probably don't exist.

I laughed myself awake. I've obviously been spending far too time obsessing about the news, which as we know is currently dominated by wars, genocide, sleaze, looming eco disaster and power-mad billionaires. It's difficult not to fall into a despondent, powerless slump just thinking about it. And now it was creeping into my dreams.

It was time to start concentrating on something positive instead. My campaign to bring down Elon Musk single handed on X wasn't going well, and the platform is full of hate and Nigel Farage, Time to stop going down that rabbit hole and write something new. (The essential first step on the road to getting something published.)

Which means this week I have mostly been thinking about writing sheds, on the basis it's nice to have somewhere to write. Who doesn't love a shed? Some of my favourite writers have enviable writing sheds and like every other shedless writer, I covet one. So what kind of writing shed to choose? A new rabbit hole opened before me as I created an entire Pinterest board devoted to the subject. I'll share a few with you here, so you understand the complexity of choice...


I really like this one. It has a face, and lets a lot of light in. Also I think it's by the sea, which would be nice



This one has a lovely aethetic but is also probably full of spiders. Good for horror writers.



This looks practical  - and I like the colour.


Good for hobbit fan fiction


Love this but would probably spend too much time staring out at the forest. Also, you'd need a forest to put it in.


Incredibly practical for any writer - and comes with its own outside bench for thinking



Peril at sea adventure stories? At least you wouldn't get interrupted much. Except possibly by passing whales




Definitely one for the fantasy writer



Nice design for those who like to cater for an unexpected turn of events


For those of us yearning to write romantic fiction


Great for the cosy crime writer


Here you could definitely write Great Expectations - if someone hadn't already written it 



Perfect for anyone planning train-based detective fiction. Or maybe another sequel to Thomas the Tank Engine


 One for me, and one for all of you. Perfect. 

You get the idea...

Just one problem. I couldn't fit even the tiniest shed in my tiny garden, so it's back to writing on the kitchen table. Though perhaps a little look at Rightmove first... Oooo!

Turns out I'm only £2 million short of being able to buy an entire Scottish island...


Lu Hersey

https://www.lu-hersey.com/


Tuesday, 17 March 2026

A word in your shell-like By Steve Way

 

Hello. Since some readers have kindly told me that they were tickled by my suggestion that we should say, “Pull along a chair”, rather than “Pull up a chair” in order to avoid the need for calisthenics, it made me think about other utterances we sometimes hear that make for interesting analysis.

I have noticed that when someone says to you, “I want a word with you!” that they don’t actually mean one single isolated word. They generally share quite a lot of words, most of them delivered passionately and peppered with a considerable number of adjectives not of a complimentary nature. It makes me wish I had the wherewithal – armed possibly with a helping of pompous over-confidence – to interrupt my interlocutor before he/she embarks on the inevitable tirade and exclaim, “What, only one sole word from the whole lexicon of the language of Shakespeare? Well, I advise you to choose it wisely…”

We’re all allowed to dream… (Though perhaps also wise not be a Smart Alec, particularly in such circumstances.)

I’ve also noticed that someone isn’t actually interested in beginning a philosophical debate on the nature of identity when they declare, “Who do you think you are?” In a similar vein to my fantasy above, I would love to possess the steely demeanour to reply, “Well, I think I’ve Steve… (though of course it could be an illusory construct) … who do you think you are?”

On fortunately rare occasions, I’ve come across an aggressive person, who’s been staring in my face and asking, “Wot yew lookin’ at?” It doesn’t seem an appropriate moment to point out that currently looking into the face of an apparently unfriendly person (almost exclusively not blessed with a pleasing visage) who is otherwise blocking what could only be a more pleasing view, however uninspiring, or in the words of the great P. G. Wodehouse is, “taking up space I need for other purposes.”

I think I’ve managed to avoid being on the receiving end of the question, “Are you looking at me or chewing a brick?” but I imagine on most occasions a brick is not readily available for consumption. Also, the presenter of the question possibly wouldn’t want a conversation initiated about the difficulty of chewing a brick, despite, I understand, early versions of AI probably suggesting we incorporate one into our diet and providing a recipe illustrating how to do so (perhaps spiced with non-toxic glue*).

Finally, I want to share with you an occasion when my eldest grandson, at around the age of ten, surprised me by uttering another notorious phrase. I need to prefix the tale by mentioning that he was suffering from slight sunburn on his arms at the time.

We’re lucky enough in our garden to have two trees that are the ideal distance apart to be used as a goal. On this occasion, I was bravely trying to guard the gap between the mirabelle and pear posts.** My grandson, the ball at his feet, clearly decided that he wanted to shift me away from my defensive position and tempted me with the statement, “Come on then, if you think you’re hard enough,” Never having heard him made such a surprisingly worldly statement before, I just had time to wonder where he had picked it up from before he paused and touched his arm, where his sunburn was clearly paining him. In that brief moment, he transformed from mock pub bully to vulnerable ten-year-old and uttered a plaintive, “Ow” of the kind that would make any parent or carer rush to comfort him.

Except on this occasion his grandad.

This was because, in this unintended way he achieved his aim of making my goal vulnerable because I had fallen to the ground giggling helplessly!

Moments later Man U were one up against Leeds.

*That did actually happen!

**There’s no crossbar as such, only a few high up branches, so any shot that penetrated my defences above shoulder height was worth disputing, though my grandson was never won over by my claims that he had overshot the goal. Honestly, the youth of today, no respect for grandparents trying to pull a fast one!

~~~~~~~~~~~~~~

The young Queen Petunia has a problem. A magic spell means that her husband, King Popple, spends the whole day reading or making up football results (and the Chamberlain can only sing and not speak). Further magic means that a kind of purply wax drips out of everyone's ears all day and all the children under the age of five in the kingdom think they are cows and stand about in fields all day eating plants. Fortunately, ingenious use of the football results saves the day!

Available on Kindle via Amazon.

ASIN: B0GFCRF6DX (the 0 is a zero)

Sunday, 15 March 2026

My Soul, A Shining Tree, written by Jamila Gavin, reviewed by Pippa Goodhart

 


I love Jamila Gavin's stories and writing, Coram Boy being a particular favourite. So I treated myself to her recently published, much admired, new book ... and found myself admiring it but wondering quite what readership it is aimed at.

This story cleverly weaves together experiences of three different young characters whose lives are horrifically affected and changed by the outbreak of the First World War as Germany invades supposedly neutral Belgium. Homes and families are destroyed and die, but the humanity of the three characters, brought together by the walnut tree that stays standing amidst the destruction, overrides the hatred of war. They save each other. 

The very beautiful book cover evokes a kind of fairy tale feel, sanitising the blood and filth and hunger and fear into pristine clothing and hairdos in stark contrast with the reality. That cover suggests a nice story for primary school age children. So, too, does the attractively short length of this chapter book. My Soul, A Shining Tree, opens with a first person account by ten year old Belgian girl, Lotte. So I was expecting this to be firmly middle grade, perhaps for children of about eight to twelve. But then we have first person telling by fifteen year old German soon-soldier, Ernst. And then by fully adult Indian soldier from a British regiment, Khudad Khan. Even Lotte speaks to us like an adult, eg, 'I felt a sudden urgency to descend' rather than a more childlike, 'I wanted to get down.' Her knowledge of the complex politics of the time feels unlikely, and the assumed knowledge of readers to recognise places and incidents referred to is going to leave child readers who have not 'done' World War One feeling left out of the story. Will they even know without more context or example what 'conscription' means, or what 'a retainer' is (as in servant rather than for teeth!), or what 'sadistic' means? 

So, this is a book I'm glad to have read, and will read again, but would only fully recommend for children already interested in, and with some knowledge of, the First World War. 

Having said that, this book has now won the Nero Book Award for 2025, and is one of the Telegraph's 50 best children's books of all time, calling it 'flawless', so maybe I'm wrong to quibble? 

Monday, 9 March 2026

BRINGING CORNISH MAGIC TO MIDDLE GRADE FICTION. by Sharon Tregenza

 


It was a no brainer really. Being brought up surrounded by stories of mermaids, giants and mischievous piskies they were always going to seep into my work. Cornish folklore has a wonderful cast of magical beings so why wouldn't I use them in my stories.


The series I'm working on now consists of five or six books for middle grade each a collection of myths based on a particular legend but with a child-friendly take. There's some VERY bloody and gruesome stories mixed in with the legends so I had to pick and choose. 




The Cornish landscape is a gift too. The rugged cliffs, misty moors and ancient standing stones for starters and then there's all those secret sea caves and castles - perfect for a mystery story. I've added a contemporary touch to some and others I've left to do their own thing. 

There's humour and charm in many of the stories and I was able to make good use of that. And I'm using the Cornish language itself. Unusual place names and story-telling rhythms add authenticity and interest. 




It's a lot of fun revisiting many of these local myths and learning more. It's quite the undertaking and I'm only on the second book but enjoying it immensely. I hope the kids will too.


Saturday, 7 March 2026

Members' News March

 No news to report for March. Wishing safe and happy travels to everyone doing school visits or going to the London Book Fair. If you have any news you'd like publicised in April, please send it to Claire Fayers.



Wednesday, 4 March 2026

Teaching and Learning by Paul May

I've been dreaming a lot lately about teaching. I don't know why, because It's more than ten years since I was last in a classroom, and the children I dreamed about last night were in a class way back in the 1980s. I taught in primary schools for about 30 years in the end, despite the fact that I never enjoyed school myself as a child. And, probably because I didn't enjoy school, I've spent most of the rest of my life teaching myself to do various things. 

When I started making jewellery, a friend showed me how to solder silver, and after that I was on my own. I bought a book the friend recommended, Metalwork and Enamelling by Herbert Maryon, and that book became my bible. I taught myself to make chains and rings, to set stones and forge shapes and eventually made a precarious kind of living from doing it. I can see now that I would probably have been a far better silversmith if I'd signed up for a course and learned in a more systematic way. Who knows? I might have become rich and successful and never become a teacher or a writer.



I taught myself to play the guitar and the banjo, too. That was the way most people did it with those instruments back then. It was kind of a rebellion against the kind of music you were taught at school and against the way most people learnt to play the piano. I still kind of hate the idea that schools today often teach rock music. Half the fun was doing something teachers hated. So, as with the jewellery making, a friend showed me how to play a chord on the guitar (A minor, probably) and then we'd just strum the chords and make stuff up. I've had the odd lesson along the way since then, but if I want to learn new stuff I mainly learn it from books or people I'm playing with or, these days, from YouTube.

What else have I taught myself to do? Well, there's plumbing, car maintenance, carpentry, house painting, gardening, bicycle maintenance and, oh yes, writing books for children. Of course, my education extended beyond school. I spent three years studying English Literature, which may or may not have helped with the children's writing. I used to say that spending years reading long and often difficult novels gave me a taste for fast-paced thrillers and children's books, but the truth is that I went to university to get away from home and studying was a very minor part of my time there. 

After university I spent a couple of years travelling around the UK on a bicycle, and then working on farms before I decided to do a PGCE in primary education. Back then the PGCE included courses in the sociology, psychology and history of education. Among other things, we were expected to read Rousseau, Freud and Ivan Illich. Illich's book, Deschooling Society, was published in 1971 and was highly critical of institutionalised state education. It wasn't just critical, though. Illich proposed solutions. He suggested that networks might be developed whereby individuals might use the telephone to find teachers, and that they'd be able to seek out teachers who could teach them just what they needed to know, and with whom they were in sympathy. In those days, before the Internet existed, Ivan Illich was imagining YouTube.

I thought Illich was right about the pernicious effects of state education but, at the same time, it seemed as if English primary education at least was doing a decent job. My friend, Derek, who was a GP, told me he'd become a GP because general practice was said to be 'the last refuge of the English eccentric.' I felt a bit that way about the world of primary education. I even thought we'd be able to survive the National Curriculum when it arrived in the late 1980s, but I was wrong. Luckily, YouTube and the Internet arrived just at the right time, especially for confirmed self-educators like me.

Now, before I proceed to give instances of the wonders of online education I'd better tell you what my local bike shop owner said about YouTube. 'It's been great for business,' he told me. 'People watch a video and think, I can do that. So they take the thing to bits and then can't get it back together again. That's when they come to me' What this tells you is that it's essential, if you're going to teach yourself to do something, whether with the help of the Internet or with the help of books, that you learn to follow instructions carefully. Actually, that's true of any situation where someone's trying to teach you something. But, having said that, I use YouTube to do all kinds of jobs on my bike, to learn new things on the guitar, to solve plumbing problems, to fix a variety of different broken household items, to sew neat seams, to grow new crops on the allotment, to cook . . .

Nowadays I could even use YouTube to find valuable advice on how to write books for children. I just checked and there's plenty there. But I never asked anyone's advice about writing children's books. It was another one of those things that I taught myself to do. The only writing experience I had was writing essays at school and university, and keeping a sporadic diary. As I was thinking about this I remembered that when I was at university I used to ignore the essay titles I was given and make up my own. Unfortunately, this gave me some problems when I came to do my Finals, but it does indicate that I was always determined to do things my own way.

I figured that I'd read a lot of children's books and I knew what I liked, so therefore I should be able to write one myself. It was a slow process. Maybe here too I could have cut some corners, and saved a lot of paper, by doing some kind of a course, but I don't think so.  I think the years of writing and throwing away were a crucial part of the learning process. And I also know that in everything I do I'm an improvising, trial-and-error kind of a person. (I don't like the modern version - trial-and-experience. The errors are essential.) My approach wouldn't work for everyone, but it worked for me. I might have gone on a course and not got on with the teacher, after all. It might have been like my swimming lessons.

When I was 40 I decided I ought to learn to swim, so I signed up for adult classes at the local pool. The instructor walked up and down the side of the pool calling out things like 'two widths of front crawl leg kick.' Then, while we did it, he called out, 'Well done, well done!' There was nothing more to his teaching than that. The experience peaked when he decided one week that we should all get in the deep end and tread water. I said I hadn't done that before, but he ignored me. He looked on, calling out, 'Well done! Well done!' as I slowly sank.

After that I bought a book of swim tickets, found a time when there weren't many people in the pool, and taught myself to swim.

There are good teachers in the world, of course. I was taught to drive by Lawrence 'Max' Bygraves, my next-door-neighbour's cousin. He had long, straggly hair and glasses, drove school buses morning and evening, and spent the days teaching people like me to drive. He was very calm, very patient, and very surprised when I passed my test first time. 


Tuesday, 3 March 2026

What the no-longer-small boy said - Joan Lennon

I'm looked back a lot lately, reconsidering my writing life. Twelve years ago, this happened:

'The author was packing up after a boisterous session with 5 classes of 8-9 year-olds in a large, echoy gym.  She became aware that someone was quietly trying to get her attention.

It was a small boy.

The boy was bespectacled, goopy-looking, earnest. A boy who did not now, nor probably ever would, find the world his oyster. The author looked at him. It was like looking at a small boy version of her own small self.

The boy looked at the author, as the noise of the dispersing classes swirled around them.  "I keep your books in a box under my bed," he said.  "And when I can't sleep in the night I take one out and read it." 

The author babbled.  She thanked the small boy for saying such a lovely thing and that he couldn't have said anything nicer to her.  Ever. 

"That's all right," said the small boy, and walked away.

The author knows that she cannot go round schools and libraries and festivals saying, "Hello!  I'm an author and I'd like to live under your bed."  But in her heart, she thinks it would be the nicest thing.  Ever.'

What the small boy said to the author - 20 May, 2014

He's 20 now, that small boy. He'll have forgotten that day years ago. But I haven't. Thank you, no-longer-small boy, for letting me be for even a moment a part of your life, and I'm wishing you all the luck in the world.


Joan Lennon website

Joan Lennon Instagram