One
of the best ways to get a child really engaged in a story is to let them hear it read out
loud. Even older, usually non-reader children can become engrossed in a
story when it is shared with lots of expression and meaning.
When
my own children were small we always made sure to take “stories for listening to” on long car journeys. My youngest in
particular loved story tapes with a passion and one year asked Santa for his
very own cassette player. It must have got hundreds, possibly thousands, of hours
of use and was carted into school for show and tell numerous times. There was
the phase when after reading him bedtime stories he still wasn’t ready for
sleep until he’d listened to one side of Stories for Five year olds .
There
can be something magically calming and soothing about stories read by a skilled
narrator who can bring out humour, personalities of the characters or, of course, the excitement and conflict, with expert timing and tone. When a story is read well children
appreciate language, develop concentration and listening skills and even discover
stories that might be beyond their current reading ability.
For
children with sight loss, audio books might be the only way they can discover
stories independently. They can offer children with dyslexia a good way into
books too. And they’re great for youngsters whose first language isn’t English.
I’ve
often wondered what it’s like to be the narrator whose job it is to
bring those stories so wonderfully to life.
So I’d like to introduce you to Sharon Hoyland
who has been narrating books, including children’s books, for many years. I
discovered Sharon and her wonderful narrating skills when looking for someone
to narrate a cd for the children's groups who use our family business/project resources. Sharon kindly agreed to let me “interview” her for ABBA. So here are the
questions I asked and her informative answers:
Sharon: I deliberately looked for work that was quiet, dry and passive;
as a contrast to my noisy, wet and active job as a swimming teacher! My first
audiobook was Black Beauty by Anna Sewell.
Me: When you receive a script and read it through, what things do you
look for? How do you prepare a script for narrating?
Sharon: Firstly, I think, will I enjoy reading this? Secondly, can I
convey the author’s meaning in a natural, tension-free way? In a nutshell,
preparing a script focuses on understanding the overall ‘feel’/the target
audience/any character analysis/being prepared to deliver different styles for
your client to choose from. Plus useful markings on pauses, intonation and
emphasis etc.
Me: How long does a novel take to
prepare, narrate and edit?
Sharon: Ages! The Secret Garden
by Frances Hodgson Burnett was very long with over 80,000 words. Voiceover work
is part time for me, so this book took nearly ten months. I’d practice reading
out loud each chapter many times (after I’d got the character voices fixed),
then record that chapter, begin editing and proofreading the following morning.
Selecting the best takes, embedding any sound effects and adjusting sound
levels takes time, but is very satisfying when it’s all done. It’s also quite
usual to re-record the first few chapters, as you’re so much more relaxed by
the end of the book that you can hear the difference in your voice.
Me: How do you ensure you look
after your voice?
Sharon: I sing with a choir so have a range of favourite warm-ups before
recording and I try not to really shout or scream at all. Sips of water and
small bites of apple are great for long sessions. Also timing meals is
important with nothing too rich or heavy as mics are so powerful they’ll pick
up everything!
Me: Are you a book fan yourself
and do you prefer reading physical books or listening to audio?
Sharon: Love books. The feel,
smell, touch of a real book can’t be beaten. Non-fiction and Fiction audiobooks
are great whilst doing quiet uncomplicated tasks and I’m less tempted to read
ahead. Often, well produced audio can be better than my imagination, is great
for emergent readers and wonderful for anybody with sight problems.
Me: Any plans for the future?
Sharon: I’ve now completed my
final narration, ‘Edwin and the Climbing Boys’ – this children’s book is an
exciting adventure, based on fact, and packed with hazards and humour. Written
by my mother last year, it creates an intriguing insight into chimney sweeping
in 18th century London. I currently enjoy working as a freelance audiobook
editor and now produce for other narrators, with a profile on LinkedIn.com.
Thank you so much, Sharon.
Follow these links to a couple of Sharon Hoyland’s favourites, narrated and produced by
herself, and then click "sample" to hear parts of the stories.
Our audio and cd Imagine! Eight nurturing, fun, interactive narratives. Calming relaxation for children with music was also narrated by Sharon Hoyland and is part of our Story Therapy® series of resources.
Hilary Hawkes
