Thursday, 13 November 2025

Pliosaurs vs. AI (Anne Rooney)

 

Do you like my pliosaur? 

I've posted several times here about AI and how it is making work as a children's author increasingly difficult. I also have a book on AI and its social impact coming out this month. The book was written a year ago — that's publishing lead times for you — so I was not particularly impacted by the relentless flood of AI slop at that point. But now I am. It's harder to find reliable information and, particularly, reliable images to gives to illustrators. The bits of consultancy I do for publishers on other authors' books are getting harder because I can't assume authors have used sound sources. This is all aside from the threat of wannabe writers submitted AI-generated trash to publishers, the pillaging of our corpus by AI developers, and the slow decay of once-nurtured and cherished resources such as the websites of NASA and USGS, now eroding under US policy. 

 

Is it time to get out? Possibly. Maybe it will all settle down and there will be good ways of producing books in five years' time, or maybe this is the start of something terminal for well-researched and illustrated children's non-fiction.

 

 

 

 

 

I can write in ways AI can't and won't for a long time, if ever. It's about seeing connections that will speak to young readers, and knowing what will be funny or fascinating not because it's been done before but because I am human and they are human. 

 

 

 

But it's not just the writing. If the research and picture sourcing become harder, the work takes longer and becomes less and less viable. Publishers aren't about to start paying writers more. So maybe it's time to move on, after 25 or so good years making a living from this thing that I love. Or at least time to diversify further.

 

 

 

That's where the pliosaur comes in. I want to do something that brings together different parts of my life and interests and that can't be taken over by AI. I think I've found it. So — stained glass made using medieval methods (I was a medievalist before I was a children's writer) and depicting the extinct animals and other scientific things I have been writing about for the last couple of decades. If I can't trust children to read, or be able to read, at least — like the stained glass workers of the Middle Ages — I can show them with pictures some of the wonders of the world. 

 

Maybe I'll never make it work as a job, but I'll have fun trying. 

 

Anne Rooney

Out this month: The Essential Book of AI, Arcturus, 2025


 

 

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