Many of my friends are book people – writers, readers,
teachers. I think of myself as a book
person too, most of the time. After all, I’ve written a few, and I get paid to
teach people about others. I'm even occasionally invited to come and talk about books, as
I will be doing in exactly a week’s time, when (shameless plug) I take part in a tribute to the wonderful New Zealand writer, Margaret Mahy (1936-2012) in
Cambridge. But at the back of it
all there’s this dreadful feeling.
What if they find out I’m a fraud?
It’s worst around New Year. That’s the time when many book-bloggish
friends like to list all the books they’ve read over
the previous 52 weeks. Many have read a hundred books, or two hundred, or four
hundred…
If I were to post such a list, it would contain maybe
twenty-five books. Thirty at a pinch.
Now, that’s not the entirety of my reading, because I also read
student essays, critical articles, newspapers and indeed blogs such as An Awfully Big Blog Adventure. But then, my friends also read other things. Even
being as generous to myself as I reasonably can, by my rough calculation I read
less than half what many of my friends do.
I realise of course that many people read far less even than that,
but mostly they don’t try to pass themselves off as professional book people.
No such excuse for me.
It’s not because I’m off doing other things, either. I’m not
studying car maintenance, or working with the homeless, or indulging in another
bracing evening’s parkour. It’s simply that I’m a slow reader. Not dyslexic,
just slow. Or rather, I’m not a fast reader.
I’d rather put it that way round, because I think my reading speed is the normal
and natural one. When I read a page silently, I do it slightly (but not much) faster than I
would if I were reading out loud. That’s the speed Aristotle read at, and St
Paul, and Virgil, and if it’s good enough for them it’s good enough for me.
Okay, I can’t be sure about that last bit, but there’s some –
admittedly ambiguous – evidence that the usual way of reading in the ancient
world was to mutter the words to oneself as one read, which must have put a
natural limit on reading speed. (We can surmise this because when people were
seen reading without moving their lips it was thought unusual enough to be
worth mentioning, as St Augustine did of St Ambrose.)
So, when I read at the speed of speech (or just a bit
faster) I’m not being odd, at least within a historical context. But I still envy
my friends the ability to get through a book in a day that would take me a week
to finish. I’d like to be able to say that they aren’t really absorbing it – that the
windmills of my mind may grind words slowly but that they grind exceeding
small, whereas my friends are not speeding but skimming. And it’s true that I
remember what I’ve read pretty well; but then so do many of my speed-reading buddies
– at least, in terms of characters and plot.
I’m still suspicious of their new-fangled minds, however.
They may read adequately in terms of comprehension, but at double the speed do
they really have time to take in the music of the language? To enjoy its taste,
timbre and rhythm ? Isn’t it like playing an LP record at 78rpm; or bolting a meal at Le
Gavroche in twenty minutes, or speeding up Gone
with the Wind to get through it in less than two hours? (Actually, that
last one sounds quite a good idea.) Do they read poetry at the same frantic rate? And if not, why whip prose along in
this wild career?
I am forced to conclude with this salvo of rhetorical questions because I honestly don’t know the answer, never having read at speed myself.
But I bet there are ABBA readers who can tell me.
I am forced to conclude with this salvo of rhetorical questions because I honestly don’t know the answer, never having read at speed myself.
But I bet there are ABBA readers who can tell me.