Showing posts with label University of Bristol. Show all posts
Showing posts with label University of Bristol. Show all posts

Friday, 24 November 2017

You need friends by Tracy Alexander

I started writing by accident. I was on my way home from the supermarket when I stopped to look in the window of the bookshop and saw an advertisement for a writing group. I'd been electively unemployed for a few weeks – after twenty years of working – and was already bored by being at home. I went to the class. And my writing life began. For a fuller version of this story see: Sliding Doors
For a blissful year I spent every Wednesday morning with writers of all shapes and smells, sharing our attempts at the homework and throwing ourselves into the exercise of the day. It was great. I still remember certain pieces that had us all silenced be it by their power, their insight, their rolling gait. Trevor's personification of an Old Master, the life support machine, Joan's description of standing on a London train station in a red dress, Dawn's cleverly clipped poetry. But it wasn't the outputs, it was the relationships that were buoying. We all know how vulnerable it feels to give voice to something that has only ever lived in a word file. Being the recipient of all of those first airings was something to treasure.
The next school year came and I reluctantly left the class to enrol on the University of Bristol's Creative Writing Diploma. A new group to bob along with. We spent two years crafting both our writing and our criticism of others. Naturally there were those I looked forward to hearing from, and others whose words didn't ever resonate. The feedback was similar, much was helpful but writing isn't meant to please everyone and you choose your critics. All good learning. The twenty or so who started the course fell to just eleven by the time we graduated. Eleven souls that I'd seen the inside of.


A lull after that. I became a published writer and sat alone in my study. Years passed.
Until an invitation in that same supermarket to join three other writers in a supportive group. Marvellous. It was the smallest group I'd brought my writing to and the most intensive because we were all writing novels. What a plus to have people to remind you that you've missed a trick, or gone off at too great a tangent, or lost the plot. We laughed. We occasionally forgot to be kind and assassinated each other's darlings. But we celebrated our union at the book launches, giving credit for our writing friends' strokes of genius when we'd written ourselves into the bottom of a dark, dank well. We met for many years and then, in the way of things, we started to meet less, circumstances changed and contributions became more sparse, and, slowly, the group dwindled away.
And here I am.
Life has got in the way of my writing these last couple of years and it's dawned on me that to get my mojo back I need writing friends. I need the discipline that comes with a regular meeting where you're expected to contribute. I need the kind words and the cruel. In fact, any words. I've spent too long inside my own head and it's crammed full. So, it might take a few weeks, but I'm going to find my new family. I'll study their faces and tune my ear to their cadence and, as the weeks go by, I'll start to know who they are, whether they intend me to or not. And they will see the truth of me. I can't wait . . .

Friday, 7 March 2014

Mostly-closed Doors T. M. Alexander



My first post on this site, Sliding Doors, told the tale of how I started writing, thanks to a poster in a bookshop. So for my World Book Week post, I’m going to describe the journey from winning a short story competition to my name on the spine of a paperback. It’s in shorthand, because it took some years! Along the way I got into the habit of collecting ‘ticks’ , because the odds against me seemed so huge it was the only way I could stay motivated. ‘Crosses’, I tried to bury.

I started writing a ‘book’ almost as soon as I heard that I was a PWA. (Prize-Wining Author – my family’s idea of a joke.) The idea was easy to come by because like all experienced marketers I ran a brainstorming session, inviting my kids, then 10, 8 and 6. (Interestingly I didn’t make a conscious decision to write for children, that was taken for granted somehow.) Two sides of scribbled-on sheet of A4 later I began my summer 2005 project. And loved it. I wrote every morning from about 6 to maybe 11, and the kids watched non-stop telly. Brill. Then we ate our bodyweight in three-course breakfasts. As the word count grew so did my determination for it not to languish on slush piles. (I’d bought the Writers’ and Artists’ Yearbook by then so knew the jargon.) Keen to speed up the learning curve, I applied for a place on the University of Bristol Creative Writing Diploma.
Tick!
I shared my enthusiasm with a stranger at a party. The wrong person as it turned out. She said, ‘I’m a librarian and my husband works at Waterstones, but I can’t get a children’s novel published so you’ve got no chance.’
Cross.
I shared my enthusiasm with a published children’s author. She said, ‘everyone thinks they can write.’
Cross.
I submitted my first assignment at Uni.
‘Unvarying in prose style. No sense of time or place and some format problems.’
Cross.
Sometime around then the marvellous Show of Strength – a Bristol theatre company, announced a competition to write a monologue for a show of rolling performances. Wonderful idea. My monologue, It’s My Party’ was brought to life by Lynda Rooke (most recognised from Casualty).  I stood in the audience and as the piece drew to a close I noticed the grey-haired man next to me was crying.
Tick!
Excellent, because more crosses were on the way.
I sent the first three chapters of my finished children’s book to an agent.
‘I love it, rush me the rest,’ she said.
I could see my future – hardback, paperback, film, Oscar ceremony . . .
Tick!
            ‘It’s got everything – drama, pathos . . . Can you come and see me in London?’
Tick!
            She wanted a few changes. I obliged.
            Time passed.
I let it – not wanting to be annoying.
Eventually I chased her.
She appeared to have forgotten about me, sending an email the essence of which was - ‘I didn’t like it that much after all.’
CROSS!
(In retrospect, approaching several agents at once might have been sensible, but I was terribly optimistic, so only contacted one at a time.)
The next response was something like, ‘it’s a ludicrous idea . . .’
Cross!
The next.
‘Too like Percy Jackson.’ (It really wasn’t.)
Cross!
Surely time for some good news? Yes!
Bruce Hunter at David Higham invited me for a cup of tea and agreed to represent me.
Tick!
Now, it would all fall into place.
Not.
The book was rejected by everyone.
Umpteen crosses over ten months (he too sent things sequentially).
In summer 2007 I wrote another book, which my agent loved. Was this the one?
No.
The book was rejected by everyone.
Umpteen crosses over eight months.
Cue Piccadilly Press, inviting me for a meeting.
I didn’t know what to wear. What do authors look like? Stupid thought.
They loved my book.
                         Tick!
But didn’t want to publish it – too quiet.
Cross!
Did I have any other ideas?
That morning (just in case) I’d had another brainstorm with the getting-older kids (12, 10 and 8). I regurgitated the rough idea of a gang of children called Tribe – who they were, what they did.
I was dispatched to write a short synopsis.
‘A paragraph will do,’ the publisher said.
Three paragraphs later (I didn’t want to under deliver), I had a contract.
TICK!

This October my fifth book will hit the fresh air. It’s about how one small act changes everything that follows. We’re back to Sliding Doors.

T. M. Alexander

www.tmalexander.com