OF ORANGES & LEMONS AND THE SHARJAH BOOK FESTIVAL – Dianne Hofmeyr

Sicilian oranges 

lemons in Liguria 

I’m reading a book called The Land where Lemons Grow by Helena Attlee and so many other things are popping into my head. Are writers more guilty of having their thoughts go off at tangents? Perhaps an inner curiosity brings on a heightened awareness of things seemingly unrelated but yet with a thread of connectivity?

About a month ago I was at the Sharjah Children's Reading Festival in the UAE where illustrator, Alexis Deacon, Julia Eccleshare, Sophie Hallam and I were guests of IBBY (or UAEBBY as its called there). More recently I went to hear John Julius Norwich speak on Sicily at the National Geographical Society and went to the British Museum's exhibition, Sicily. (Don’t miss it… even if only to stand and stare in amazement at the minute coins with perfect intaglios of goddesses and dolphins) With these last two events fresh in my head, I understand how a book on citrus can take me on a journey through Sicily and even along the Amalfi coast, but how did it get me back to the Sharjah Children's Book Festival?

On a morning break from the Festival, we slipped out to the Sharjah Museum of Islamic Civilization and I found myself alone behind a door that slid silently shut, surrounded by the world’s most famous Arab inventions, amongst them giant sextants and astrological devises, notes on stills for extracting and distilling rose oil and drawings and models of ancient machinery with pulleys and scoops driven by long suffering oxen that delivered water in huge quantities. How odd that four weeks later I should be reading a book that mentions two of these exact inventions.

Notes and drawings for distilling rose oil. 

drawings of an early Arabic irrigation system  

There’s little about Sicily’s natural climate to make it suited to growing tender oranges and lemons. It has a limited winter rainfall and citrus need heat and dampness together. When the first Muslim farmers arrived in Sicily they found the existing Roman irrigation systems limited to capturing and distributing what little water there was at a certain time. Arab methods were much more sophisticated. They captured every river and spring with interconnected tunnels through rock, so water could be delivered the entire year and they set about developing beautiful gardens of flourishing citrus trees that were known as paradisi. 

Citrus farming in Sicily changed forever.  Bal’tarm on the north-west corner, now known as Palermo, was the capital of Muslim Sicily. And when the Normans arrived in 1060 and conquered the Saracens, they adopted the same methods of Arab irrigation and agriculture. And later it was the citrus industry of Sicily that fuelled the Mafia wars behind the high walls of the paradisi, and that has also given the world the best blood oranges ever known, the tarocco, from the base of Mount Etna. The original citrus stock came from China via the Middle East and were known as naranjiya. Easy to see how the Italian word arancia came from this. Maybe even the Afrikaans word for mandarin – naartjie – can be traced back to this origin.

the Sicilian blood orange, tarocco

On my visit to the Sharjah Museum of Islamic Civilization, alone in that quiet room, I could almost smell the rose oil from those evocative drawings of the distilling process. Then four weeks later in my book, The Land where Lemons Grow, the fact is mentioned again that the complex art of distilling was first discovered by Arabs in North Africa. Distilling hasn't much changed since the days of the earliest rose oils. In Calabria, in the toe of southern Italy, the bergamot groves provide the oil that is the base of many French perfumes and is also the oil that adds the edge to Earl Grey Tea. But bergamot oil is never distilled... always cold pressed.

the bergamot looks like a lemon but is in fact a bitter orange

Now I’m off at another tangent... to bake a cake I once ate for breakfast on a farm outside Perugia, torta all’ arancia, made with creamed boiled oranges, ground almonds and eggs (no flour) – the flavour so intense that it almost fizzes in your mouth.

Funny how the simple action of reading a book, can spur on a baking urge. And later today I might just have to indulge in a shopping spree … some citrus soaps from Sicily made by Ortigia, not only for their heady scent but for those beautiful boxes. And the words zagara and chinotto and tarocco will roll around my tongue for a while longer and I'll remember that quiet room in Sharjah and I’ll read The Land Where Lemons Grow a second time and see what new tangents it takes me on. It’s called interconnectivity. Or did I make that up? 

bottles of lemoncello lining a wedding table at Ravello on the Amalfi coast

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FESTIVITIES ARE SET FOR BOLOGNA AND SHARJAH – Dianne Hofmeyr

Lili: Red Hot Hair – Wen Dee Tan 

Following hot on each other heels two of the biggest book fairs dedicated solely to children’s books are about to ignite the World of Reading. Flights are full, books are packed, dummies designed, illustrations couriered, appointments scheduled, comfy shoes packed and for those lucky enough to be invited to a few soirees, a silky shirt or twinkly top or two. 

When the Bologna Book Fair opens its doors officially on the 4th April, it will have been established as the leading children’s Book Fair for more than 50 years. On the other hand the Sharjah Children’s Reading Festival (SCRF) in the United Arab Emirates, which begins on 20th April, only started 8 years ago, but with it’s 11 days of discovery, creativity and excitement, is intent on creating a second Bologna in the Middle East.

I’m lucky enough to be going to both – to Bologna under my own steam to ease two new babies into the world – a picture book, The Glassmaker’s Daughter, illustrated by Jane Ray coming out with Frances Lincoln in 2017 and a second picture book, My Daddy’s a Silly Monkey, illustrated by Carol Thompson coming out with the brand new Otter-Barry Books, also in 2017.

At Bologna I will be browsing and soaking up the sheer energy of everything new in publishing for 3 days, (sipping a few glasses of prosecco along the way)

Whereas at Sharjah Children's Reading Festival,  IBBY UK have been invited as Guests of Honour by UAE IBBY and have included Alexis Deacon as their guest illustrator and me as their guest writer, Alexis and I will be working at full tilt in schools and on panels with more than a little back-up from Sophie Hallam of IBBY UK and Julia Eccleshare.

So this week sees me suddenly panicking. Pasting up dummies, searching through my more than 19, 950 images (I'm determined to keep it under 20, 000) in iPhoto for high resolution pics, running to the printers for business cards and generally creating more chaos than needed when I wake in the night and uninvited decide I can use my illustrator’s images to make endpapers for a Bologna dummy. What astounding cheek! But perhaps collaboration at it’s fullest.

The best part of being at a Children’s Book Fair is not just the pleasure of meeting like-minded people and feeling the buzz but having the books and illustrations take centre stage. At Bologna this year 3191 illustrators submitted work from 61 countries. Being selected offers an illustrator huge visibility as after the Fair, the exhibition tours to Japan, China and the United States. This year will see solo exhibitions of British illustrators Laura Carlin, for winning the Cover Illustration Award for this year’s Exhibition and Miasie Shearring for winning the Fundación SM International Award for Illustration last year.

At Sharjah, one of seven emirates of the United Arab Emirates and recently named the Islamic Culture Capital, there is also an annual Illustration Award. Appropriately last year’s winner was Wen Dee Tan from Malaysia for Lili: Red Hot Hair. 

ROLL ON BOLOGNA AND SHARJAH! 

Let the festivities begin! Lead on! IGNITE THE WORLD OF READING!

www.diannehofmeyr.com