THURSDAY 1ST OCTOBER - and it's NATIONAL POETRY DAY 2026 !

    Hooray! Thursday 1st October, is POETRY DAY 2006 . . . 

. . . a date the National Literacy Trust has chosen for exploring poetry in all its forms, a day for celebrating all rhymes and rhyming picture books in Storytimes, for re-reading and sharing familiar poems they have enjoyed before, discovering new poems and new voices, and even writing poetry and sharing their work and thoughts with others. 

This year's National Poetry Day is WONDER AND LOCAL COMMUNITY, a theme that invites students to explore the world around them them, to consider all the people, the places, the stories and the moments that make their environment unique.

The National Reading Agency offers a great online collection of poetry resources, all chosen to support the writing, reading and performing of poetry in schools, all designed to showcase poetry as a way for students to grow in confidence, creativity, empathy and self expression, and a language form that can easily be accessible to all students, whatever their age, and hopefully for more than a single day. 

In fact, at the end of the month, between 2-6 November, comes Young Poets Week, with the Young Laureate scheme offering some schools and pupils free poetry resources, online masterclasses and all sorts of ways of playing with words and poetry. For information on the new Young Laureate scheme, go to https://literacytrust.org.uk/writing-for-pleasure/poetry

Naturally, this is the time of the year when publishers highlight poetry books for schools. Among titles I've come across are 'Cosy Poems', Gaby Morgan's anthology for 11+ students, and Attie Lime's 'Poems on Toast' for KS2 children. Michael Rosen's website has videos of the poet performing his own poems, of course. My choice for the youngest children, though not strictly 'poetry', would probably be a rhyming picture book, such Rosen & Helen Oxenbury's charming 'Oh Dear, Look What I Got!', or a book I heard again recently: Kes Gray & Jim Field's very first 'Oi Frog!'

                                    Do you have any titles to suggest?

                       Happy National Poetry Day! 

Penny Dolan

Author, illustrator, or both? By Hannah Shaw

We're delighted to welcome Hannah Shaw as July's guest illustrator. She discusses how it is to be both an author and an illustrator.

DianneHofmeyr has no need to worry about picture book authors who don't illustrate being left in the cold. From the perspective of an illustrator who illustrates for others but does write too, there is room for all of us!

My most recent picture book collaboration with Gareth Edwards  (The Disgusting Sandwich) is probably my favourite picture book so far. I had far more art direction and involvement from the wonderful team at Alison Green than on any of my previous books. I think the end result shows that. I also feel that Gareth's writing brought out something exciting and new in my drawings that I might not have done in my own work.

A spread from the Disgusting Sandwich

Another author / illustrator collaboration that caught my eye recently was 'Oi Frog!' by Kes Gray and Jim Field. That is my picture book of the year, what an hilarious book! What a fabulous pairing. And where would we be without Julia Donaldson and Axel Scheffler, or Julia Donaldson and David Roberts for that matter?

Oi Frog images by Jim Field and Kes Gray

Saying that I do think prizes like the Greenaway are very much focused on the artistic merit of a book rather than the story. I also think they often choose books that appeal to adults rather than necessarily to children - but I think that is another debate.

As an illustrator I do admit that overall, I find illustrating my own books an easier process, I have far more artistic control and generally I feel happier illustrating my own stories, it doesn't necessarily mean that the end result is better but I feel this is the case for my Stan

Stinky young fiction series. I have recently found a niche with these in 'Pic-fic' (picture-fiction, a fiction book which has many integral illustrations such as speech bubbles, diary extracts, doodles and maps). I write around 13,000 words but I end up doing over 200 pieces of black and white interior artwork. This is where someone like me, an illustrator who writes, has the distinct advantage.

Could Pic-fic be the future of young fiction for reluctant readers? Children are used to the bombardment of images from TV and online media. A heavily illustrated fiction book does pique their interest. I

Tom Gates by Liz Pichon another example of Pic-Fic

am a very visual person and as I write, I know exactly what kind of illustration I am going to add. Often I leave gaping holes in my text as I know that I can get my message across as a series of images instead. 

I guess my argument is that books are always evolving and collaboration can be a wonderful thing but having a book which has a strong author-illustrator means no compromises. The best books will always be by authors or author/illustrators who keep pace with changes and push the boundaries, bringing new ideas to life, whatever their skills.