Have recently been doing a lot of sorting out/chucking out of all kinds of things. (There's something very liberating about it, isn't there? It certainly brings out the ruthless streak in me.)
Part of this was making room on bookshelves. (We buy far too many books, and have historically been far too averse to recycling ones that, in our heart of hearts, we know we'll never read again.) As I was sorting through a shelf full of children's books, I came across this one by Lucy M. Boston, The Children of Green Knowe.
Now I know that many of the people reading this are very knowledgeable about children's books, and will be very familiar with this book. But I wasn't. I first heard of it some years ago on one of the Charney retreats that the Scattered Authors used to run, and I guess that's when I bought the book. If I read it then, I had forgotten it - which would be a very strange thing, because I've just sat down and read it and found it literally enchanting.
I'm quite puzzled by my feelings about fantasy in children's books. Some of my favourite books ever are fantasy: Lord of the Rings, Alan Garner's early works, C S Lewis, His Dark Materials, Harry Potter. But I haven't felt the same about recent fantasies I've read, and I'm really not sure why. I've enjoyed them, but I haven't been totally drawn into and mesmerised by that world, in the same way as I was by those I've mentioned. (Harry Potter not quite so much, perhaps.)
But this book - yes. Lucy Boston's Green Knowe is based on the house she lived in herself - not as a child, interestingly: she didn't come across this ancient, magical building till she was middle-aged. The premise of this first book in the series is that Tolly, a seven year old boy in the thirties, has been virtually abandoned by his father: his mother has died, and his father has remarried to an evidently unsympatheic stepmother and gone to live abroad, leaving Tolly at a boarding school, till he is rescued by his great grandmother, Mrs Oldknow, who invites him to stay with her in the holidays. Tolly instantly bonds with her - and quickly senses that the old house is full of magic - and also of the ghosts of children from the past, who become his playmates.
The actual story is pretty much that - there is no quest, no journey, no powerful narrative arc - though there are lots of extraordinary encounters. And yet it is completely gripping. The house and its inhabitants became as real to us as they do to Tolly: it is, literally, enchanting. This is partly to do with the detailed and luscious descriptions of the house - it's clear that Lucy Boston is describing a very real place that she loves, not somewhere that she's made up. Here she describes part of the stables: Here and there a ray of white light came slanting through a broken roof tile, against which you could see the golden motes of dust in the air. It looked mysterious and enticing. And in such a place, would you not expect magical things to happen?
I was so enchanted that I sent off for three more of the books in the series, and also a memoir by Lucy Boston of her early life. What I am very interested to see is whether the books will appeal to my eight year-old grandson, who is a keen and very good reader. Their world is a very long way from his - but it's also a very long way from mine. We'll see.
2 comments:
I love this one, and 'Chimneys', but less keen on 'River' and 'Stranger' (which won the Carnegie). 'Stones' also works for me but is told from the other end of the timescale. Her two autobiographies (also available in a single volume) are fascinating.
I haven't got hold of River yet, but absolutely agree about Stranger. I felt that the section at the beginning about Hanno's life in the jungle, while beautifully written and on a subject that was clearly very important to LB - and prescient: how much worse things have got since she was writing - distracted from the world of the books, from the magical environ of Green Knowe. Thought Stones very cleverly brought all the children together.
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