The relationship between writers and their agents can
sometimes feel one sided. We do all the hard work and they take 15% of the
rewards. That doesn’t seem fair!
We live in a world where the need for an agent seems less clear. We can publish ourselves in a variety of ways and if we wish
to go the traditional route then access to those who can help us has never been
more transparent. Thanks to Twitter and Facebook we can make direct contact
with publishers and their emails are often in the public domain – so
what is it an agent brings to the party?
In the rose tinted halcyon days of the Hampstead set, they
were a confidant and a friend. Taking you out for long lunches to discuss your
latest career defining masterpiece. Moulding you into the visionary they always
knew you were. Then there’s the more modern view of agents – hardnosed short
termists who’ll drop you as soon as the hits stop coming. Thanks Ed Reardon.
So every now and then, it’s natural, as writers, to find
ourselves questioning the role of our agent and whether or not we need one. Could we do
this better on our own, or at least just as well and take all the money? Often, when things are
going well, we probably could. When editors are approaching us directly for our
next idea, when books are coming thick and fast, it seems a doddle. All an
agent does is say ‘yes’ and ‘how much’ – we could do that.
The truth is, I’ve found you should never judge a value of
an agent when things are going well. The true value of an agent emerges when
things hit the buffers. My best agents have always been the ones who phone to
check in when they haven’t heard from you for a while. The ones who call you in
for a meeting to discuss your next idea when you don't actually have one. The
ones who set up a meeting with an editor they know you’ll like just to see if
something sparks.
Most importantly, they’re the ones who’ll wade in when the
money isn’t coming or isn’t what it should be. A project I’m working on
recently went very wrong. It was my biggest job of the year. The money coming from
it was significant and without it I was going to be in trouble. Without my agent I’d have lost the lot, as it
stands her intervention has saved the project and renegotiated the deal in my
favour. Has she earned her 15% - one
thousand times over, just don't tell her that. And it wasn’t just the money, the emotional support, the advice, the reassurance, all of that gave me the
feeling that I wasn’t on my own in a business where you often are.
So if you’re thinking about whether or not you need an agent
in your life, get out there and meet some. Don’t take the first one that says ‘yes’,
find the one who’ll have your back, no matter how tough things get – and if you’re
planning to make a career out of your craft, they will get tough sooner or
later and then you'll come to appreciate an agent's true value.
1 comment:
Agree 100%. Having worked for many years without an agent, I can confirm that it makes a huge difference - to the way publishers deal with me, to my contracts and to my sanity.
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