What is The Boy who Drew the
Future about?
Noah and Blaze live in the same village
over 100 years apart. They are linked by a river and a strange gift: they both
compulsively draw images they don’t understand, that later come true. They can
draw the future.
1860s – Blaze is alone after his mother’s death, dependent on the kindness of the villagers, who all distrust his gift as witchcraft but still want him to predict the future for them. When they don’t like what he draws, life gets very dangerous for him.
Present day – Noah comes to the village for a new start. His parents are desperate for him to be ‘normal’ after all the trouble they've had in the past. He makes a friend, Beth, but as with Blaze the strangeness of his drawings start to turn people against him and things get very threatening. Will he be driven away from this new home – and from Beth?
Will both boys be destroyed by their strange gift, or can a new future be drawn?
1860s – Blaze is alone after his mother’s death, dependent on the kindness of the villagers, who all distrust his gift as witchcraft but still want him to predict the future for them. When they don’t like what he draws, life gets very dangerous for him.
Present day – Noah comes to the village for a new start. His parents are desperate for him to be ‘normal’ after all the trouble they've had in the past. He makes a friend, Beth, but as with Blaze the strangeness of his drawings start to turn people against him and things get very threatening. Will he be driven away from this new home – and from Beth?
Will both boys be destroyed by their strange gift, or can a new future be drawn?
The book interweaves chapters from the present day (Noah) and the past
(Blaze). What sort of research did you find yourself doing?
I did a lot of historical research for Blaze’s
chapters, reading court reports about the real Sible Hedingham Witchcraft Case
which is fascinating.
For Noah’s chapters I read as much as I could find about art and Gustav
Klimt in particular. I wanted to immerse Noah’s character in a very visual
world.
Your previous novels (published by Bloomsbury under the name Rhian
Tracey) are contemporary YAs - what made you decide to write a book with such a
strong historical element?
I’ve always wanted to write historical
fiction, it is my favourite genre and I’ve read a lot of it but have been a bit
nervous about approaching it. However I really liked the idea of contrasting
Noah’s experiences in the present day with Blaze’s in the 1860s.
What is your next
book about?
My 6th novel is actually a novella and is contemporary fairy tale retelling of Hans Christian Andersen’s The Little Matchgirl. My version is called Matchgirl.
My 6th novel is actually a novella and is contemporary fairy tale retelling of Hans Christian Andersen’s The Little Matchgirl. My version is called Matchgirl.
Thanks to an Arts Council Grant I have had a year off in which to write
my 7th novel Always, Hope
which is about stalking, social media and singing.
I’m starting my 8th novel this month which is exciting and
scary at the same time, entering a different world filled with new characters.
You are a Patron of
Reading and Creative Writing specialist, what does this entail?
I visit primary and secondary schools promoting reading and sharing my
writing skills. I love school visits, they are so much fun!
Have you got any
public events coming up?
Yes! I’ll be at Waterstones Oxford in August, Waterstones Milton Keynes in September, Waterstones Cirencester in Sept/October and Waterstones Cheltenham in November with Emma Carroll, Katherine Woodfine, Lauren James and Helen Maslin. We’ll be talking about historical fiction. Here’s a write up of our event most recent event at Waterstones Birmingham by the wonderful Chelley Toy - http://talesofyesterday.co.uk/2016/04/tales-events-brumhist-waterstones-birmingham-april-2016/
Yes! I’ll be at Waterstones Oxford in August, Waterstones Milton Keynes in September, Waterstones Cirencester in Sept/October and Waterstones Cheltenham in November with Emma Carroll, Katherine Woodfine, Lauren James and Helen Maslin. We’ll be talking about historical fiction. Here’s a write up of our event most recent event at Waterstones Birmingham by the wonderful Chelley Toy - http://talesofyesterday.co.uk/2016/04/tales-events-brumhist-waterstones-birmingham-april-2016/
I’m at YALC in July which I’m really looking forward to.
I’ll also be at YAShot literary convention at Waterstones Uxbridge in October running a workshop on how to write historical fiction.
I’ll also be at YAShot literary convention at Waterstones Uxbridge in October running a workshop on how to write historical fiction.
You can follow Rhian on twitter @Rhian_Ivory and find
out more about her by visiting Firefly’s website - http://www.fireflypress.co.uk/node/162
2 comments:
I like stories told in two time frames, sometimes just decades apart and like this centuries apart. This sounds like a good one.
Sounds great!
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