“Winter Is Coming”: Favourite Books for Long, Dark Nights by Emma Barnes

Not for children!

The days are dark; night creeps in early; there is frost in the air. 

I'm not a fan of winter. (I always get that frisson of dread whenever the Starks declare “Winter is Coming” in George RR Martin's Game of Thrones.  And I don't live anywhere near any Wildings.) Partly that's because British winters are grey and damp, rather than snowy and crisp. But while the reality of crawling out of bed on a dreary, dismal morning doesn't grab me, winter in children's fiction is a different thing.

Snow. Woods. Wolves. A crackling fire. Stark leafless trees. Shadows everywhere. This I enjoy.

Real life adventure

Laura Ingalls Wilder's childhood, in a log cabin in the deep forest of Wisconsin, always gave me the same winter glow. There really is no better winter read than The Little House in the Big Woods. (Ma, bundled up against the cold, whacking a bear that she thinks is a cow. Pa playing the violin during the long nights. Christmas, when Laura receives her beloved rag doll, Charlotte.)

Unless, that is, you prefer The Long Winter, where the township is trapped by blizzards, the train lines closed, the Ingalls family are using a coffee mill to grind out their last handfuls of wheat and slowly everyone begins to starve...

Classic Fantasy

That sense of threat is also there in The Dark is Rising by Susan Cooper. Ostensibly it's the fantasy “Dark” that is the danger, but much of the menace comes from the weather itself: the snow that falls and falls, the numbing cold, the village community that is slowly being cut off so that finally everyone has to take refuge in the old manor house.

I've always felt that Susan Cooper must have read another winter classic, The Box of Delights, as a child – for there are all kinds of echoes, most of all in the particular blend of English landscape and history, magical threat and snowy weather. Who can help a shudder of anticipation on reading that cryptic warning “The wolves are running...”

Urban snowscapes

Yet winter doesn't have to be about deep woods and rural landscapes. As a very small child, I was transfixed by Ezra Jack Keat's The Snowy Day, which uses an urban setting to explore the feelings of fascination and wonder of a small child confronting something as amazing as SNOW. It's something about the simplicity and immediacy of this book that makes it so effective.

It brings home the fact that children's books still, often, ignore the urban landscape. The Snowy Day was, apparently, inspired by Keat's childhood neighbourhood of Brooklyn, New York. (It also has the distinction of being one of the first American children's books to feature a black lead character. That was in 1964. Decades later, diversity, or lack of it, is still a hot issue.)

Narnia

In general though, winter seems to be about magic, rather than real life, for children's authors. Maybe it's because it reasserts the power of nature – of snow, storms, the biting cold – in a way that makes us feel less sure of our human technology, more aware of the power of our natural surroundings. In the depths of winter, it is easier to believe in supernatural forces. Perhaps we feel less in control, more in touch with the past, more in need of help?

The excitement, magic and danger of winter is perhaps nowhere better expressed than in the Lion, the Witch and the Wardrobe. When spring comes, it marks the beginning of hope and the end of the dark magic. And yet CS Lewis draws every drop of excitement from his winter setting: the fun of sledges, the terror of wolves, the wonderful warmth of hot chocolate or of snuggling in a fur coat. (Even if you don't approve of fur coats, you can still enter into the Pevensies' enjoyment of them.)

 Fairytales

This link between winter and magic seems so strong that it even percolates into adult literature. Most mainstream adult fiction keeps its distance from the magical, but the bestselling The Snow Child combines the setting of Alaska and a pioneering couple determined to make a life there (almost Laura Ingalls Wilder in its way) with a traditional fairytale fable, when they meet a child who seems strangely at home in the icy landscape, and surely possessed of magical powers.

A Russian folk tale is the inspiration for the story, and is just one of those included in the classic collection Old Peter's Book of Tales by Swallows and Amazons author Arthur Ransome.

The Snow Queen, the most wintery of fairytales, is still going strong of course.

 And in case anybody doubted the combined power of fairytales, princesses and snow, Frozen is a recent reminder of their continuing appeal to the child's imagination. (Visiting schools for World Book Day, I've met  dozens of little “Elsas” and “Anas”.)

My Winter Tale

illustration by Emma Chichester Clark

Wolves, forests and fairytales were all at the back of my mind when I wrote my book Wolfie. Even though it is a contemporary story (with a helping of fantasy), about a girl called Lucie, and her adventures at home and school, as winter closes in the atmosphere becomes mysterious and magical.

The feeling I aimed to create is brilliantly evoked in this illustration by Emma Chichester Clark.

New Titles

Its fascinating to see that even in these days of central heating and cars chauffeured by mum and dad, where bad weather might seem just a passing annoyance to children glued to screens, winter has maintained its magic charm. The Wolf Wilder by Katherine Rundell and Frost Hollow Hall  by Emma Carroll are two recent books which use winter – and its motifs of snow, woods, magic and wolves - to work their magic.


 I'm planning to curl up with one or other of them when the long, dark nights draw in.

What is your favourite winter read?








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Emma's Wild Thing series for 8+ about the naughtiest little sister ever. (Cover - Jamie Littler)
"Hilarious and heart-warming" The Scotsman

 Wolfie is a story of wolves, magic and snowy woods...
(Cover: Emma Chichester Clark)
"Funny, clever and satisfying..." Books for Keeps

A WOLFISH GREETING

A Guest Post from Fang-That-Bites-Sharp-in-the Forest (also known as Wolfie)

So.  A gaggle of children’s authors are celebrating their fifth birthday.  I’m not sure they deserve my best wishes.  

Children’s authors have not played fair with us wolves.  It all started out badly with that Big Bad Wolf so beloved of fairy tales.  A child-eating predator who usually ends up being chopped into pieces by woodcutters, or boiled in vats of water (as if a wolf wouldn’t be able to outwit three pigs!)

Those wargs of Mr Tolkien haven’t exactly helped our image, and then there came the werewolf craze...werewolves!  Don’t get me started.  It all leads to the idea that wolves are slathering, blood-crazed monsters...instead of the beautiful, intelligent creatures that we really are.

On the other hand, books are a good way of occupying human cubs, and keeping them out from under my paws when I go hunting.  I like my woods child-free!

Image: Gunnar Ries

Above all, we wolves are extremely polite.  At least, this one is.  So MANY HAPPY RETURNS!  And next time you’re thinking about penning a werewolf story – don’t!

YOURS, FANG

Fang features in Wolfie – by Emma Barnes

More about Fang at Emma's web-site

One Girl And Her Dog: Top Dog Stories in Children's Fiction - by Emma Barnes

Some themes crop up over and over in children’s literature. My new book takes lift-off from one of them: the powerful bond that exists between girl (or boy) and their pet dog.

Why are dogs so important to children? Although they plead to have them, in practise most parents know it will be they who do most of the work, while dogs often work out where their walks and sustenance are coming from, and relegate the junior members to mere puppy rank. Yet despite that, from Lassie to Eva Ibbotson’s last novel, there remains something special about the relationship between child and hound.

In my new book, Wolfie, Lucie has always wanted a dog, and her wish is finally granted when her Uncle turns up with a large, toothy, furry “dog”. But is it a dog? Lucie is not sure, although the grown-ups (never good at seeing what is under their noses) mock her claim that the new pet is actually a wolf...

Wolfie is a more dangerous proposition than the average domestic dog. And that’s even before you take into account the fact that she can talk. But in the end, dogs and wolves are both pack animals, and it is the strong attachments they form to their group, and the uncomplicated nature of their affections, that makes them such precious companions, real or imagined, to children.

Some Different Kinds of Books About Dogs 

1) Dog as Friend

For a lonely, often an only, child a dog becomes an essential companion. Perhaps the most famous example (note my pun here!) is George of the Famous Five. A spiky, difficult girl who wants to be a boy, and feels misunderstood by her parents, George is deeply attached to her dog, Timmy. Indeed it is her determination to constantly defend Timmy which sparks off many of her adventures.

My Sam in Sam and the Griswalds is a timid and lacking in confidence – quite unlike George. But acquiring a dog, Biter, is a crucial ingredient in pepping up Sam’s life. And the support of a dog can be important even in adolescence: as in the wonderfully funny but poignant Feeling Sorry for Celia, where Elizabeth has a better relationship with her collie than her own parents.

2) Dog as Ally

Dogs can be equally important to children who, while they have siblings (maybe lots of siblings) are seeking refuge from the rivalry that often brings. Helen Cresswell’s Ordinary Jack has a closer, less demanding relationship with his mongrel dog, Zero, than with his overly talented siblings. OK, so Zero is far from bright, inclined to wee on the floor when nervous and scared of almost everything. But he makes Jack, the only ordinary member of the Bagthorpe tribe, feel tonnes better about himself.

For Peter Hatcher, narrator of Judy Blume’s classic Fudge books, having a dog is offered as compensation for having to put up with endlessly demanding, troublesome younger brother, Fudge.

3) The Dog Weepy 

My primary school reading book was not usually of much interest to me – but then I read Bedgellert. This was the tale of the hound, Gellert, who saved Prince Llewellyn’s baby son from a wolf attack. But his master, returning home, thought that Gellert had killed the baby – and slew the dog, only to realise his mistake when he found the child unharmed.

This story absolutely devastated me. My heartbreak was only matched a few years later with the death of the boy Stephen’s hound, Amile, in Barbara Leonie Picard’s medieval novel, One is One. It’s a wonderful story and still in print – recommended to all with an interest in dogs, monasteries or painting.

Somehow, terrible to say, it’s always worse when an animal dies. Even today, as I watch the (definitely not for children) series Game of Thrones, it’s not the growing pile of human corpses that upsets me: it’s what happens to the dog (ok, it's a dire-wolf - same thing).

4) The Naughty Dog 

Being animals, dogs cannot be blamed for being naughty – and so children can revel in all the things that a bad dog can get up to (and which they might fancy themselves). Dogs run away, dig up flower beds, chase cats, jump fences, trip up the postman, steal food, and generally cause all kinds of enjoyable domestic chaos. I especially like Rose Impey’s Houdini Dog books, where the two sisters remind me of myself and my sister. We badly wanted a dog, and (as in Impey’s book) we decided that a protracted nagging campaign was the best way to get one. When we finally got one - a beautiful, stupid, but very good-natured Samoyed –  like Houdini dog he was given to occasional escapes, and led us a merry dance finding him again.

My favourite naughty dog of all is probably “the dog” (unnamed) in Adrian Mole. He is sick, he eats model ships, he throws up, he jumps on policemen, he runs away to Grandma’s, he licks his stitches, he is scared of alsations, he gets concrete stuck in his paws – he is thoroughly delightful. Who wouldn't fall for a dog like that?

Long may canines rule in children's fiction: may their barks never grow faint!

Check out Emma Barnes's web-site
Wolfie is published in August 2012 and Emma will be talking about it at the Edinburgh International Book Festival.