“Where do you get your ideas?”
It’s an oft asked question, posed by both adults and
children alike. I’ve blogged about this subject before, but it occurred to me
the other day that, for me, it’s not getting
the ideas, but trying to throttle them back that’s a problem, because this
question goes hand-in-hand with another one: how do you know when a
book is really finished? New, fiendishly clever plot and character ideas seem to constantly
bombard me when I’m writing, often coming when I’m least expecting them (my muse
is a particularly devious so-and-so, often waiting until I’m half asleep before
dropping the mother-of-all-ideas into my unguarded consciousness), and when I
have one of these great ideas, I feel almost bound to incorporate it into my
work. If I don’t, it hangs around in the back of my mind whispering, “This
could be SO much better if you’d only do what you know needs to be done and go rewrite
those first five chapters,”
I’m a ‘pantser’. For anyone who doesn’t know what that is,
it’s a term (I don’t think it’s meant to be derogatory, but it has that ring to
it, doesn’t it?) to describe somebody who doesn’t plot, but just sits down and
writes. It’s a more ‘organic’ approach to writing, and I think it gets me into
a lot of trouble at times. What it does do, however, is allow me to embrace new
ideas in to my work in a way that a plotter may not so easily be able to. On
the negative side, pantsers are more likely to work in a more back-and-forth
manner, jumping around as their muse dripfeeds them, rewriting large sections
of the book as the narrative takes shape in their mind. It’s a fun, sometimes
infuriating way in which to work.
But as any pantser will tell you, there has to be an end to
this at some stage. As much as you love and cherish your muse (even a nefarious,
sleep-wrecking one), there has to come a point when you put your fingers in
your ears and do the la-la-la-la-I-can’t-hear-you. If you can’t do that, you’re
destined never to finish the book. You’ll spend the rest of your life trying to
write the perfect book, turn into a gibbering madman, or simply give up your
dreams of becoming an author.
I don’t think there’s a writer alive who can look at one of their books and says, “Yep, that’s pretty much perfect.” We all would like one last chance to edit it again and change the sentence/paragraph/chapter that really grates on us now the book is up there on the shelf. The ideas continue to come, even when the book has rolled off the printing press. It’s infuriating.
3 comments:
That photo of Gollum is *exactly* how I feel about my current book!
I can sympathise with this - ideas always come when I have too much else to do to start something new, or the current project is too far along for a big rewrite to incorporate them, then end up jotted down in an ideas book. They may or may not get rescued. (Actually, said current Gollum-stage book started as a line in the ideas book about ten years ago, so perhaps the best ones keep nagging at you.)
It's funny, but I hadn't thought about 'pantser' sounding derogatory before. (I'm one, too.) I shall feel even more Gollumish now...
"... pantsers are more likely to work in a more back-and-forth manner, jumping around as their muse dripfeeds them, rewriting large sections of the book as the narrative takes shape in their mind. It’s a fun, sometimes infuriating way in which to work."
You describe it very well!
Pantser does make us sound a bit rubbish, but then plotters just sound evil ...
An inveterate pantser, I often wish I wasn't and that I had a set of pre-prepared plotpoint cards. "I will do it differently" I decide - until the next idea arrives.
Generally have to opt out of the pants and search sternly for the plot at some point, though. Nice article, Steve.
ps If I don't attack the plot with a hot smoothing iron at some point, I get what you suggest: writing that is pants.
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