Showing posts with label kids' non-fiction. Show all posts
Showing posts with label kids' non-fiction. Show all posts

Friday, 9 September 2022

Writing in a climate of fear

It seems that nearly every book I write at the moment has to end with a spread about the desperate state of the world and humanity and the uncertain future that lies ahead of us. I write (mostly) children’s non-fiction with a focus on science. That means climate change, loss of biodiversity, pollution, extinction and all the other self-inflicted ills of the world are on my agenda. As we reach, and probably pass, tipping points that mean our current way of life is doomed, it’s hard to know how to present this gloomy prospect to young readers.

I can’t ignore them. You can’t write a whole book about the history of life on Earth and fail to mention that we’re heading into a major extinction event of our making. You can’t write about how Earth works as a planet and ignore the rapid climate change that will be catastrophic for many species, almost certainly including ourselves. To ignore this is dishonest and leaves the books incomplete. To acknowledge it and disarm the fear it raises is increasingly difficult, now near-impossible.

Ten years ago, I could write about all this with some hope that we might step back from the brink, do some sensible things that would at least limit the damage. Just before the pandemic I published a book which, by the time it came out, I thought already dishonest in its optimism. (Editorially imposed optimism, I would add.) Luckily, it being published the week of lockdown meant it disappeared without trace.

Book cover: Little People Big Dreams, Greta Thunberg

Hint: making bird feeders out of plastic bottles and putting on a jumper when you’re cold won’t save the planet. It might save some money, in the latest crisis to beset us. But the action we need is political and large scale, and it’s not going to come in time. If at all. The consensus is that you can’t say this to young children. But I’m beginning to wonder why not. I grew up in the Cold War, certain I’d be killed by nuclear war (still possible). My father grew up in the Second World War, certain he'd leave school to be conscripted and killed (it was over before he did). Only the people who grew up in the 90s and 00s have not done so in a climate of gloom. (That is, all the editors…) Young children know all about Greta Thunberg and climate change. She is held up to them as a hero. You can’t see someone as a hero if you don’t know what they’re being heroic about.
 
But it still leaves the problem. What to say in a book that is not specifically about the current situation, but to be complete must mention it. There is not space to go into it and its likely/possible outcomes in depth. Too much information isn’t appropriate either, as we don’t know whether the child reading the book will have someone supportive and knowledgeable to talk to.

humpback whale with calf


I’m not particularly optimistic about our prospects any more, and no longer want to pretend to be optimistic. I’ve noticed editors are no longer doing the knee-jerk ‘can we put a hopeful spin on this?’ We now recognise the ‘hopeful spin’ is just lying. The furthest I’ll go is to say humankind must do a lot of hard and urgent work, make a lot of big changes, to avert the worst outcomes. I don’t think the prospects for the planet as a whole are all that bad, unless on our way down we have a nuclear war. We’ve seen how quickly species recover once we stop killing them. Even huge whales recover quite quickly, despite having long reproductive cycles. The humpback whale population had fallen to 1000 before the moratorium on whaling, and now it’s round 25,000. Quite a bounce-back for just 40 years. Life has flourished at much higher temperatures and higher levels of carbon dioxide than we are threatening to bring. The difference is that the change is happening too quickly for things to adapt. Eventually new species will emerge to populate the hotter world. But, as in previous mass extinctions, there will likely be a few million years of desolation in which only disaster taxa like cockroaches, rats, pigeons and maybe at first a few left-over humans scavenge the detritus of civilisation. That’s not encouraging if you’re eight and want to grow up and have a fulfilling life. There’s no way of putting a positive spin on it. Perhaps the ‘we need to act fast’ line will see me through another five years before even that becomes clearly a lie. Even five years feels optimistic. As I write, a third of Pakistan is under water and California is burning. More and more young readers can see what’s happening because it’s on their doorsteps. We can’t hide it; we need to know how to talk about it.

Anne Rooney

Out now from OUP (no mention of climate change!)


 





Sunday, 10 November 2019

Writing non-fiction? Have a meeting with your editor and designer. Moira Butterfield

If you are writing a non-fiction book and you have sold the idea, I’d strongly recommend meeting up in person with your editor and designer. If you can’t – and many of us will be too far away to get to London - I’d try to organize a Facetime session.

I went up to London this week (where inevitably the publishers are based). It cost me a wheelbarrow full of gold but it’s worth every penny to do it if possible (I try to make the trip more cost-effective by planning in an exhibition to see on the same day, if I can – In this case the highly recommended Living on Mars at the Design Museum).

The current cost of a train ticket from Bath to London 


I am about to write a non-fiction book in a pressurized timeframe. I wanted to be sure that the team I’m working with are all on the same wavelength as me.

We discussed the content of the book– already planned but not yet in visual form. I went with specific questions for the designer. How did he think we should approach introductory sections? What kind of features should I build in to the text? In this case we agreed we’d add some cutaway illustrations, which means me providing labels. We agreed on some big images and some much smaller ones, to make for a lively magazine-style layout. I’ll need to be keeping this in mind when I write.

I won’t want to be giving the designer far too much text. That’d be difficult to work with, but equally too little text won’t be ideal either. We’ll need to get it ‘just right’, which means working together on a section ASAP to fix some word counts and features such as chapter headings and sub-headings.

We looked at some artist choices, and our discussions about the way the book would look led us to a choice we all loved – Someone who can do people, landscapes and machines equally, and who won’t be phased by a highly-planned spread. It’s also someone who doesn’t look too retro, because our book subject is very current. Fingers crossed our choice says yes but we have some back-ups, too, thanks to our meeting.

We also chatted about general non-fiction sales feedback the editorial team had been given. That was very interesting and helpful, and not something I would have heard about otherwise.

Finally – and most importantly - we went over the reasons why we are doing the book. They are deeply felt and shared by everyone round the table. We believe in the concept of the book.

I came home feeling that we were a strong team and I hope they did, too. I felt ready for the challenge and excited that they were excited.

Ready, team? Ready! 


Now it’s up to me to write, but I know I have a strong foundation on which to build.

Moira’s non-fiction book Welcome To Our World (Nosy Crow) has been chosen in The Sun and the Mirror as a top gift book for 4+.  Her book on homes around the world has become a bestseller in the US this year– Home Sweet Home (Egmont in the UK. Kane Miller in the USA).

Moira Butterfield
www.moirabutterfield.com
Twitter @moiraworld

Instagram @moirabutterfieldauthor