What place does darkness have in children’s fiction? If you look at the 2018 Kate Greenaway Longlist, it seems plenty.
At a quick glance, a number of titles jump out – Thornhill, Night Shift, The Song from Somewhere Else, Town is by the Sea. There seems never to have been quite such a collection of black and white illustrations on the Longlist to add that touch of mystery, secretiveness, sadness and even desolation.
Pam Smy’s Thornhill (David Fickling Books) crosses between the two worlds of Mary an orphan in 1982 and Ella who moves into a house near the old orphanage in 2017.
For a fascinating insight into Smy's illustrations see the videos below:
https://www.youtube.com/watch?v=ntrpmOOxiC0
https://www.youtube.com/watch?v=eYbuA5bR2Dk
Debi Gliori’s Night Shift (published by Bonnier Zaffre) is a picture book for older readers where depression in the form of dragon, invades the daily life of a young girl.
https://www.youtube.com/watch?v=eYbuA5bR2Dk
Debi Gliori’s Night Shift (published by Bonnier Zaffre) is a picture book for older readers where depression in the form of dragon, invades the daily life of a young girl.
The Song from Somewhere Else by A.F. Harold with shadowy illustrations by Levi Pinfold past winner of a Greenaway (published by Bloomsbury Books) crosses boundaries and reminds one of the work of Shaun Tan and Jim Kay in the almost nightmarish way the stage-like black and white takes hold of your imagination. 'A story about strangeness, strength, friendship, and keeping the shadows at bay.'
In Town by the Sea by Joanne Schwartz with illustrations by Sydney Smith (published by Walker Books), there's the strong contrast of a boy living in the bright sunlit world of a seaside town while his father works in a cramped under-the-sea tunnel, mining coal. In the contrasting page turn this book epitomises the light and dark of daily life with the disconcerting suggestion of inevitability in the boy knowing he too will grow up to be a miner.
In a recent article in TIME magazine (Feb 12th) Newberry Award winner, Matt de la Peña, raises this question. His recent picture book Love, illustrated by Loren Long, has an illustration showing a boy crouched under a piano while his upset mother stands by and his father staggers out the room, furniture upturned with an empty glass resting on the piano.
When de la Peña’s publisher suggested the image was too heavy, both the illustrator and writer fought to keep it. They felt that instead of anxiously trying to protect our children, we can support them through bad experiences.
Kate Di Camillo, author of Because of Winn Dixie & The Tale of Despereaux, writes a brilliant open letter of endorsement to Matt de la Peña, worth reading here
In it she says: I was a kid who hid under the literal (and metaphorical) piano. I felt isolated by the secrets and fear in my household. For me, as a kid, to see that picture would have been such a relief. I would have known that I was not alone. I would have felt less ashamed.
De la Peña suggests that while there has been a real shift towards racial inclusion in books, ‘many other facets of diversity remain in the shadow and an uncomfortable number of children are still crouched under the piano.’
De la Peña suggests that while there has been a real shift towards racial inclusion in books, ‘many other facets of diversity remain in the shadow and an uncomfortable number of children are still crouched under the piano.’
Here in the UK, many publishers and organisations like Inclusive Minds with their annual conferences of A Place at the Table, are working towards more diversity and publishing books that reflect the real and sometimes very dark and different world of so many children experiencing some form of emotional pain and otherness.
The darkness in some titles on this year’s Kate Greenaway Longlist should be seen as a celebration of books that explore just this… complex, stark emotions and experiences in childhood of sadness or rejection. These stories shine light into a dark world and pay off the gambol of feeling slightly discomforted when seeing into a world that is often not spoken about. As Di Airey, Director of Diversity Dynamics said at the closure of this year's A Place at the Table, 'Children are born with an open mind – it’s what happens around them that closes it.'
If children can experience these stories while being cuddled in the lap of someone who loves them, so much the better.
The darkness in some titles on this year’s Kate Greenaway Longlist should be seen as a celebration of books that explore just this… complex, stark emotions and experiences in childhood of sadness or rejection. These stories shine light into a dark world and pay off the gambol of feeling slightly discomforted when seeing into a world that is often not spoken about. As Di Airey, Director of Diversity Dynamics said at the closure of this year's A Place at the Table, 'Children are born with an open mind – it’s what happens around them that closes it.'
If children can experience these stories while being cuddled in the lap of someone who loves them, so much the better.
www.diannehofmeyr.com
Twitter: @dihofmeyr
Dianne Hofmeyr's new picture book TIGER WALK illustrated by Jesse Hodgson and published by Otterbarry Books, touches on the fears of a little boy as he tries to fall asleep and will be out later this year.
Twitter: @dihofmeyr
Dianne Hofmeyr's new picture book TIGER WALK illustrated by Jesse Hodgson and published by Otterbarry Books, touches on the fears of a little boy as he tries to fall asleep and will be out later this year.
