Showing posts with label Artist's Way. Show all posts
Showing posts with label Artist's Way. Show all posts

Wednesday, 1 March 2017

I BLAME IT ON ADRIAN McGINTY or The Big Reading Problem by Penny Dolan

Soon I’ll be having an at-home writing retreat, so there is something I must do. Or not do. And it will be Hard.

There are several Not Hard things. The solitude won’t be at all hard. While sociable writers like Caitlin Moran seem capable of isolating themselves and writing surrounded by noise and people, I know I work best when I am alone.

When people are around, I get slightly anxious about “being away” within my writing. Blog-posts are not so difficult but dropping deeper into fiction isn’t easy. All I can offer – other than laziness, which may be valid - is that my father had more than a touch of Basil Fawlty about him. 

He was given to surprise appearances, sudden rages and interrogations and ominous silences. All probably caused by a Bad War but, as you can imagine, not an atmosphere that gave a child confidence about idling time away on their words or work. Sooner or later, it – whatever it was - would all be my fault. And these things stick for far too long.

So you can understand that having some solitary time will quell certain anxieties. And that is the first Good Thing.

A second Good Thing; even though I’ll miss the Happy Traveller very much, is that this furry boy will be around:
 
Cat Oliver came from the Cat Protection a few weeks ago. Yesterday he was shown the Outside so I’m hoping he won’t be going off on his own wild travels too. Today he learned about the Cat Flap - both the Out and the In – so life should be simpler.

The third Good Thing will be eating what I want when and where I want. Simple food. Toast. Baked Beans. Cheese. Eggs. Easy stuff. Some healthy salad and fruit - especially fruit.  
I will stock up first so I’ll have no reason to go out shopping for this and that.  Or that  . . . and that. Oh, and what about this too? Might pop along to . . . Oh, look, it’s five o’clock already. Time for tea. . .  
No, my retreat meals will be easy but organised - and I can even work in my dressing gown all day if I want to.



All this sounds easy enough so what is the Hard Thing?
This: I am going to cut the Reading. No way! Aaaagh! Help!

I am a book addict. I don’t read slowly and carefully, as I would like to do. I’m a gobble-em-up reader, busily escaping into the security of pages. I have a huge book pile beside my bed and gathered on bookshelves. In fact, if I need to give up anything for Lent this year, it’s buying books.

My Big Reading Problem came to a head because – thank you, Bookwitch! – I heard good words about the “Sean Duffy” crime novels of Adrian McGinty. Set in Northern Ireland, back in the 1970’s, these thrillers are well paced and compelling and the plots grow into events you hadn’t expected (even if the big incident doesn’t appear quite as it did on BBC News). Furthermore, the books give unexpected insights into the troubled  society, reminding one that the Hundredth Anniversary of the Border comes up in 2021, which should be around full Brexit time. What joy!

McKinty’s novels are “read through the night” books. Furthermore, I know there are other novels by other authors out there, plenty of books so absorbing that they will swallow me up and leave me with no time to think or write or find my own words. My head will be full and slightly groggy and there will seem no point to my writing at all because of the many fine books already out there, which is not a good state to be in.

Then, as I was berating myself again for having been lured deep into the third Duffy novel - which I had bought early but was definitely, definitely saving for reading in March, I suddenly recalled a chapter in Julia Cameron’s famous The Artist’s Way. 

It’s the moment in Chapter Four when she suggests:

If you are stuck in your life or art, few jump-starts are more effective than a week of reading deprivation.  Reading deprivation is and a very powerful tool and a frightening one.

Can’t do that, I think, and discover she writes about the rage this advice always causes in her audiences. She warns – of course - against filling up the empty space with radio, tv and “other pollutants” which by now would include social media.


There are reasons. We often cannot hear our own inner voice, the voice of our artist’s inspiration, she says, explaining that it is a paradox that by emptying our lives we are actually filling the well.

After last week’s big book binge, cutting back on my reading – or at least the fiction reading -  certainly sounds worth a try, at least during my quiet week. I’m not convinced I’ll succeed totally, but I’ll give it a try.

A Good but a Hard Thing, for sure.


Are you someone who reads fiction while you’re busy with “deep” writing?

And how do you feel about writing- or manage your writing - while there are people – large or small - around the house?

Penny Dolan





Thursday, 1 August 2013

SAY NOTHING, HEAR NOTHING, WRITE MORE? by Penny Dolan

Do you need a Brooker break too? Journalist Charlie Brooker will not be writing his weekly opinion column in the Guardian for a while.

Private Eye said that Charlie wanted the comments box below his column turned off but that his editor wouldn’t agree. Charlie himself says that it’s because he wants a break from contributing to all the jabber, jabber, jabber he hears around him. Seeing how swiftly inane remarks appear “argument” in comment boxes, I have some sympathy for Charlie’s point of view.

 

 
Then, yesterday, I glanced at Mslexia online. A contributing blogger was having a bad time of it with Week Four in Julia Cameron’s  “The Artist’s Way” Course. This is the infamous Reading Deprivation week. For seven days, you do not read at all, not even cereal boxes or emails. Also, I’d guess (in a more modern edition) twitter, face book or blogs like this – no, please don’t go! - or, I suspect, the whole world of audio-books, podcasts and all sorts of screen watching.

Julia’s Rule recognises that reading can be a form of escapism and act as a block to your own creative thoughts. (After all, the book is subtitled a Course in Discovering and Recovering Your Creative Self.) So – having trawled the net a bit -  it seems that, people get so desperate to fill the reading gap that they turn to the kind of practical tasks that leave the mind free for other thoughts. 


Both Charlie and Julia are responding to the same problem. Just now there are so many email demands, so many distractions and so much emphasis on staying connected that turning away feels somehow rude or anti-social, no matter how much we’d like some quiet back to get on with our work.   



We want to know about other people, don’t we?  We need them to connect with us, notice our platform? Yes, yes, but not all of the time. In fact, for quite a small part of the time.

Writers and artists of all kinds need the solitude that feeds them and their work. The solitude can come in many forms: the silence of a rented cottage, the peace of a writing shed, the laptop among the friendly buzz of a cafĂ©, the studious atmosphere of a quiet library or the security of the kitchen table while the family is busy or asleep. We need somewhere where the daily nags and niggles or calls to meetings or requests to respond won’t shout louder or more strongly than our own ideas. We need time to be in our own deep space, time to get the words down.

As Charlie and Julia suggest, wherever that necessary space is – the place where your words rise to the top of your head – do all you can to find and use it. Be determined, even if it is simply creating silence by shutting a book and avoiding social networks for a while.

Ssssh! That’s better.



Wishing you good words!

Penny Dolan

www.pennydolan,com