I can still see, bright across decades, Ken Campbell’s Company racing madly, all strobe-lit, across the stage at The Roundhouse during Mr. Punch’s Pantomime.
In contrasting mood, I recall the slow silent procession of mothers gathering up their long-lost babies in the National Theatre’s Coram Boy.
Or Gecko’s two actors, Israeli and Arab, cast against race, seemingly plunging in bitter fight over one single orange into an empty hell.
Or the unforgettable stretching of distances, played out along lines and tightropes and trapezes, demonstrating Tristram and Isolde’s tragedy in Kneehigh Theatre’s remarkable production.
No scene was truly realistic, but all were compellingly believable - and even now, it is the “horses” in War Horse that people talk about, highlighting the magic moments so unaccountably powerful that they stay in the mind.
I must have been trying to capture something of such theatrical experiences in my novel, A Boy Called M.O.U.S.E
Although you won’t find the theatre mentioned in the blurb on the back cover - I’m not sure why - the illusory drama lies at the heart of the book, as well as the thumps and bumps behind the glamour.
My young hero Mouse, escaping a dreadful Dickensian school, travels alongside an old Punch and Judy Man before ending up backstage in the famous Albion theatre in Victorian London with his friend Kitty and a host of eccentric characters.
There Mouse becomes a “flyer”, testing out the device that will make that theatre’s production of A Midsummer Night’s Dream more astounding than any seen before, but bringing danger to Mouse - and more - along with the success.
Intrigued? Want to read A Boy Called M.O.U.S.E? Well, to celebrate the Awfully Big Blog Adventure’s birthday, I have some copies to give away.
To enter, send your name and address to penny@pennydolan.com , putting MOUSE COMP in the subject line. The competition closes at noon on 20th July. UK entries only.
A Boy Called M.O.U.S.E, published by Bloomsbury, will be out in paperback on 1st August.
www. pennydolan.com
11 comments:
Love the name of your book! I hope it does really well.
Thanks, Rebecca! Glad of your good wishes.
Just tried to say how much Ilike the sound of Catherine Johnson's tent but I hit a "comment" problem. May do again . . .
Lovely cover - I liked the hardback one, but this is really striking in a very different way.
Agree with Sue - lovely cover, Penny! And 'Midsummer Night's Dream' is my favourite Shakesp. comedy, so I think I'd enjoy your book...
STILL haven't read MOUSE, and MUST and WILL.
It is a marvellous book - an absolute must read for ALL children of whatever age.
What a wonderful cover, Penny! And a fantastic theatrical theme.
A great post Penny. Its odd isn't it that writers can be so visual and not remember the words but rather the scene. Its like that fro me in film as well. Those horses in War Horse were made and manipulated by a South African company called the Hand-spring Puppet Co. They did a production with a life-size giraffe, Zerafa, too that was probably the forerunner for the horses... which was magnificent too. It went to Europe and the USA but wasn't shown here.
I've been reading about this book at other places in the Lit fest. Also one of my students read it this year, so I'm definitely going to try the competition. And if not, hit a book shop on the 1st August.
What a wonderful book! I'd love it for me and the children (WE ALL love children's books!!!)
Emailed xxxx
Tracy Nixon
Hi Penny,
A quick note to say Thank you for the copy of A boy called M.O.U.S.E that I received this morning after wining this competition!
It looks great and just the sort of book my oldest son loves!
Thanks once again.
Nikki
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