Showing posts with label blogs. Show all posts
Showing posts with label blogs. Show all posts

Tuesday, 17 October 2023

Blogging Bye-Byes by Tracy Darnton

Life events are intervening so I’m taking a break from blogging here on An Awfully Big Blog Adventure. 

I’ve been looking back at the blogs I’ve written in the last few years – this is blog 65. Sixty-five! Excuse me for being a touch introspective and self-indulgent in reviewing them and sharing my favourite three.

Some months you’re brimming with something you want to say about writing and others you feel like you have nothing to say of any value to anybody. I’m a private person and share very little of my family life on social media so I was surprised that the three I picked were probably the most personal, the most revealing of me.

On the writing front, I’ve shared the unexpected bonuses of being a picture book writer and the similarities with writing 70,000 word thrillers. And as an unashamed book nerd, I shared my joy at seeing one of my thrillers printed. 

I’m glad that people have found my blogs on the craft of writing useful whether it’s Talking Dialogue The Edit Letter, Notes from an Editing Writer, Endings, or observations on finishing another thriller, and my specialist topic came up a lot - Procrastination.

My love of libraries and bookshops has often featured. And a magical trip to the book town Fjaerland in Norway as well as Folly Farm and festivals from YALC to Harrogate.


I've usually provided some sort of quiz or game recommendation for Christmas and a Dear Santa booklist as well as the inevitable New Years' writing resolutions – very few of them met.

Which are my favourite blogs? Drum roll, my top three in reverse order:

At 3 - Family memes – How Bernard, Fix-It Duck infiltrated our family lexicon.

The runner up - One small step – a cosmic writers residency

And finally in first place:

Why can’t I be more like Jeffrey and Dan? An author in search of a writing routine.

If I’m brave enough I shall mention it to Dan Brown in the Green Room at Iceland Noir next month. Ha! Of course I won’t. Maybe without the blog, procrastination will become a thing of the past and my writing routine will fall into place. Maybe. Whatever, it's been an Awfully Big Blog Adventure. 

Thank you for reading them. 

Tracy x

 

 


Tracy Darnton is the author of YA thrillers The Truth About Lies, The Rules and Ready or Not, and the picture book My Brother is an Avocado, AND 65 blogs. You can follow her on Twitter or Instagram @TracyDarnton

Saturday, 19 September 2020

What's in a blog? by Joan Haig

I usually trip headfirst into adventures, but before joining this Awfully Big one, I thought I should probably prepare. What exactly was I getting myself into? I mean, I know what a blog is, but what exactly is a blog? It sounds sticky.

Blogging history began in the 1980s with basic webpages that acted to log website activity and encourage user feedback. The term ‘weblog’ was first used in 1997 during the shift towards more journal-like usage of these webpages. One year later, Open Diary was launched providing space for regular personal updates to be shared and with a function inviting readers’ comments on content; the year after that the shortened term ‘blog’ was coined.

So, should I treat my ABBA blogpost as a monthly diary entry? Are blogs like diaries? Not according to sociologist José van Dijck who argues for important distinctions to be made. Diaries are private spaces; online journals, by design, are public and invite an audience, the presence of which will affect what, why and how things are recorded.

The physical performance of diary-writing, says van Dijck, produces a ‘material, “authentic” artefact, inscribed in time and on paper’. Digital memories, conversely, are revisable, unreliable, ‘mediated’. This reminds me of philosopher Jacques Derrida’s work, in which handwriting embodies meaning and emotion: that is, pen and paper produce different modes of thought from typewriters (and, we can assume, from laptops and tablets).

Blogs quite quickly became politicised, used as virtual megaphones and digital homing pigeons in political campaigns and crises around the world. Youth activist Malala Yousafzai anonymously blogged for the BBC; her journal-like entries provided an escape route for voices trapped in Taliban-controlled areas of Pakistan.

Though blogs can function as overtly political spaces, most don’t. According to an important piece (and when I say important piece, I mean cartoon) in The New Yorker, blogs can be broken down by function, as follows:

©Roz Chast, The New York Times

[Purely in order to fit into this pie chart, I should say that my debut novel Tiger Skin Rug is out with Cranachan Publishing and available online and from all good book shops, and my next book, Talking History, is coauthored with Joan Lennon and out with Templar next year.]

As well as being political and promotional platforms, blogs are also heavily monetised, being prime advertising spaces in what one study calls the ‘attention economy’. And the blogosphere is a crowded market these days, accommodating photologs, microblogs (social media-like beasts) and vlogs. Back in the Year 2000, there were around 30 blog sites on the Internet. Now there are around 500 million.

Apart from book blogs (which, along with indie bookshops, make the world go round), the blogs I’m drawn to are the ones that read a bit like essays. (Can you tell?) I was a fresh-faced first year at university when I got hooked on the essay form. Not writing the things - reading them. I love a good essay and access them mostly online, sometimes on blogsites. According to one technology historian, however, the blog version of an essay is not quite an essay, taking a more ‘informal, conversational, sometimes even off-color tone’. Some are so ‘off-color’ that digital do-gooders have devised a Code of Conduct for Bloggers.

That such a code exists supports the position taken by my favourite of the articles I came across. In ‘Chaos Theory as a Lens for Interpreting Blogging’, readers are assured that in the ‘apparent random and complex phenomenon’ of the blogosphere, there is, in fact, a sense of order. People within the sphere, the article explains, know what they are doing. Based on the evidence immediately before you, you may well beg to differ.

So, all this prepping leads me to conclude that a blog is not exactly a log, diary or essay. It’s not always political and only sometimes (not in my case) an income stream. I know what a blog post isn’t; I’m still not entirely sure what it is. And yet, I’ve managed to come to the end of my first one on this adventure.

 


 

 

 

 

 

 

www.joanhaigbooks.com and social media @joanhaigbooks

Thursday, 6 November 2014

Invisible boundaries and social media - C.J. Busby

A few weeks ago, a young American first-time author, Kathleen Hale, unleashed a bit of a social media storm by publishing a piece in The Guardian about the increasingly vexed online relationship between authors and bloggers. The article (here) which ran in the Saturday magazine, detailed how she became obsessed by one of her online critics, a blogger called Blythe Harris. When Hale engaged with Blythe's criticism's of her book (despite the many, many warnings she received that authors should not answer back to bad reviews), Blythe and many of her fellow bloggers apparently turned on her and Hale found herself labelled a BBA - a badly behaved author. For Hale (and I should emphasise that we only get Hale's perspective on what happened here), Blythe was wilfully malicious, ruining the reception of her book, and using her clique of friends and fellow bloggers to trash Hale's reputation. In return, Hale details her own increasing obsession with Blythe - an obsession which rapidly moved from what she termed 'light stalking' (gathering any and every detail she could from Blythe's online presence) to what by any standards is just plain stalking - using subterfuge to gain access to Blythe's real-life identity, workplace address and home address.



It's a sorry tale, and I'm not going to rehash the Hale case here, but it did make me think about the business of social media, writers, bloggers and boundaries. Authors, as Hale notes, are encouraged to get online and have a social media presence, but their natural audience, book bloggers and fans, seem quite often to resent authors turning up on their turf and, as they see it, throwing their weight around. A while ago, as a bit of a newbie author, I brushed up against a similar controversy when I noticed an online discussion on a book blogger's site about one of Ben Aaronovitch's Rivers of London series.



I'm a bit of a fan of this series, and was interested to see that the author had stopped by and commented, explaining where some of the features the blogger was discussing had come from in the writing process. It was (I thought) a perfectly polite contribution, and not in the least critical of her analysis, simply adding a bit of background information. But it caused an immediate storm, in which I was very slightly caught up, having added a comment of my own about the strange ways the writing process worked. For some of the following commentators, writers were simply not welcome on a book blogging site - they were guilty of abusing the power they had as authors to dominate a space that was not for them. Book blogs and fan sites should be considered a space for fans and book lovers to freely express themselves and not somewhere authors should feel free to gatecrash.

It was all resolved fairly amicably - Ben Aaronovitch backed down with a bit of grumbling, and I apologised profusely for being new to all this and not understanding the rules of the game. But the Hale article did bring this experience back to me.

What both examples make clear, I think, is that engaging in discussion with other people on social media is now the easiest thing in the world to do, but that it's also potentially perilous - what seems to be a simple opening gambit in a conversation can quickly become a reason for several people you've never met to decide they hate you. And thinking about why this is, made me realise that it's partly about the lack of social clues we have online.

Picture this: an author walks into a cafe, orders a coffee, and then realises that at the table next to him are six women, clearly friends, all discussing why they don't really like his new book. He would have to be completely mad or utterly self-obsessed to lean across and say, "Excuse me, ladies, that point you've just made is very interesting, but as the author, I'd have to say you've misunderstood my intention...." More likely, he'd hide behind a newspaper, or slink out. It's not his place to push into a group which is clearly bounded by longstanding interactions and mutual exchange of opinions. On the web, though, it's hard to see those boundaries, easier to think this is a discussion open to anyone who happens to wander past.

We've probably all had the experience of adding comments on a forum discussion, only to have what we've said utterly ignored as the next commentator simply replies to the one before you, and the next one carries on as if you never said anything. It feels like a snub (it is a snub) - but if this were real life, the group discussing this burning issue would be that bunch of students who always occupy the table in the corner of the canteen, looking daggers at anyone who even thinks about sitting next to them - and we wouldn't be in the least surprised if they ignored our comment. (We'd almost certainly never make it in the first place.)

Would you interrupt the conversation?

As social animals, we have built up over generations the ability to detect the smallest social clues about other people and groups around us. The kinds of interaction we engage in with other people are largely determined by our previous interactions with them, their status as friends or family or work colleagues. Even with total strangers we can use visible clues like dress, body language, expression, context, to judge what is or isn't appropriate. All these help us to 'see' the boundaries that we would be transgressing and the trouble we could be causing if we were to be, for example, inappropriately intimate or aggressive or opinionated.

The trouble with social media is these clues are just not there. We've only had access to this multitude of potential conversations with strangers  for a very short time, and people appear on it as little more than speech. Speech which is devoid of accents, of voice, of clues about who this person is. It's like wandering in a dark fog, listening to many voices all talking at random - but the people behind the voices are invisible. So we have to make guesses about what kinds of people they are, and whether we are gatecrashing through an invisible boundary, or striking up a conversation with someone genuinely interested in talking to us.

Those speaking to each other on a forum, a blog, on Goodreads, can appear as simply a bunch of individuals interested in the same topic, a bunch of reasonable, open individuals who would welcome a newcomer to their midst. Sometimes that is exactly what they are. But sometimes, the invisible boundaries are as fierce as barbed wire, and we cross them at our peril.

The way invisible boundaries are so difficult to negotiate sometimes makes me want to give up on all forms of online interaction. Like Liz Kessler, who posted recently about social media on ABBA (here), I have considered just ditching all of it in favour of interactions in real life only. But, in the end, I don't, because so far I've managed to negotiate those boundaries more or less unscathed, and in the process I've 'met' some really brilliant people (some of whom I've gone on to really meet).

The fact is, most people on social media ARE open, engaged, reasonable and friendly, and, if you transgress an invisible boundary, they are usually polite enough to just inform you gently that you're in the wrong place. But I do think it's important to be aware that just because those boundaries are invisible, doesn't mean they are not there - and when you find a clear notice that says "Authors (or whoever) are Not Welcome Beyond this Point", it probably pays to respect it.




C.J. Busby writes funny, fast-paced fantasy for children aged 7-12. Her latest books, Dragon Amber, is published by Templar.

www.cjbusby.co.uk

@ceciliabusby